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Slideshow: Tavares Strachan's ''Orthostatic Tolerance'' at the MIT List Visual Arts Center

Tavares Strachan at the MIT List Visual Arts Center | Through July 11

By TAVARES STRACHAN | June 18, 2010

Courtesy of private collection

Tavares Strachan, Purplish Blue Light, 2010 | Hand-blown glass underwater vehicle, 100 gallons of mineral oil, plastic, computer system, Plexiglas® tank

From the exhibition "Orthostatic Tolerance: It Might Not Be Such a Bad Idea if I Never Went Home," on display at the MIT List Visual Arts Center through July 11, 2010.

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Bill Daniel doesn't call the landlord when there's a hole in the roof. He just turns the damn house into a boat.
They, and Gideon Bok, are nothing but subjective
Commonly artists prefer to work away from public scrutiny, shielded from revealing the awkward phases of creation, to emerge with a finished work of art that will last, if not for eternity, at least for quite a while.
The Peabody Essex explores Native America
The Cree artist plays his drag show for laughs, but underlying it are serious questions about white genocide of Native American societies, about the stereotyping of Natives, and about gays in America, as well as Native American society.
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