New directions

By GREG COOK | July 14, 2010

Jonggeon Lee's Bridge of Paradise is a crafty tour de force: old floorboards engraved with stylized flowers and trees, as though the design of an Afghani rug had imprinted itself into the floor. Garett Yahn installs couches, a TV, a video game, a music-entertainment center, and photocopied essays on topics like "Art and Objecthood" to create a treatise in slacker guise on what can be called art. Memorable oddities include Lara Woolfson's photo of a woman in a white shirt and no pants holding a white horse and You Jin Kim's photo of a woman in a Disney Cinderella gown sitting on a toilet.

Finally, compare Kirk Amaral Snow's Sometimes It's Hard To Move On, a pair of fans blowing against the pages of a book of fairy tales set between them, with Curtis Singmaster's Struggle, an oscillating fan lying on the floor and twisting back and forth like a beetle on its back. They represent the show's most unexpected trend/coincidence: fans.

Read Greg Cook's blog at gregcookland.com/journal.

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ARTICLES BY GREG COOK

A REALLY BIG SHOW! | May 21, 2013
This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.

CLOTHES MAKE THE MAN | May 13, 2013
What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.

MERRY PRANKSTERS | May 07, 2013
Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.

ALTERED IMAGES | April 30, 2013
Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.

IN THE CITY | April 23, 2013
One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.