ART_StillLife_main
STILL LIFE A detail from Crayhon's Thoughts On Romance From the Road series.

Victoria Crayhon's Thoughts On Romance From the Road series documents in large color photos the odd, melancholy, poetic texts she posts on commercial signs and theater marquees. "Slowly dissolving guarantee of infinite day to day thrills" decorates the Greenwich Odeum; elsewhere she muses: "No beginning or end that you're aware of."

Xander Marro's From Diorama Pyramid is a house-shaped box decorated with what could be a psychedelic TV test pattern. Peek in a hole in the center and you see an orange wooden snake doll seated at a table with an empty plate and two soda cans in a room with wild wallpaper and furry carpet. A gray snake departs to the right. Press a button on the front, and a song plays: "Digest! I think it best not at this moment to have a rotting rodent in your belly for long." The diorama isn't as large and ambitious as the wall relief she showed in the DeCordova Museum "Biennial" last winter, but it has the curious charm of a children's television puppet show with a Darwinian law of the jungle edge.

Natalja Kent's Reaction Out of Space photos show naked people seemingly leaping into a black void and vomiting (they may just be spitting milk, or something). Mostly the images come across as knucklehead grossout jokes, but you have to respect how they seem to epitomize both thrilling exuberant abandon and nihilistic, self-indulgent partying.

Read Greg Cook's blog at gregcookland.com/journal.

< prev  1  |  2  | 
  Topics: Museum And Gallery , Museums, DeCordova Museum, Erik Carlson,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   A REALLY BIG SHOW!  |  May 21, 2013
    This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

 See all articles by: GREG COOK