Over and over, Sokolow builds these impeded efforts. The people could get together if only they did something simpler, more direct. When they're alone, they frantically shake their hands, clutch their faces, throw their heads back. A woman stands center stage. One man, then another and another, strides past her. Each time, she jerks her head away as if she'd been slapped. They haven't even seen her.

Dreams is said to be about the concentration camps, and it's full of nightmares. Things you can't finish doing, like the woman who crawls over the shoulders of men, peering into an endless escape road. Or the man running in place, faster, faster, his head arching up then pitching forward, till he's doubled over but still running. Or another man, drumming a rhythm on a stool as if he were trying to remember a song, a face, and trying harder and harder, till he's running and pounding the rhythm into the back wall. He stops, yells once. His yell becomes a cry. Then he opens his mouth. No sound comes out.

The thing about Sokolow's people is that they're alone. Their sexual longings are private, their schemes for relief are inhibited. Even when others are present, they don't connect. Maybe it's not even possible to imagine this kind of repression in an era when teenage girls text snapshots of their naked bodies to their boyfriends and people confess to rape and murder on TV. But even if you don't empathize with the pathology of these lost souls, the starkness of what they do is piercing.

< prev  1  |  2  |  3  | 
  Topics: Dance , Dance, Boston Ballet, Ballet,  More more >
| More


Most Popular
ARTICLES BY MARCIA B. SIEGEL
Share this entry with Delicious
  •   MARK MORRIS'S SOCRATES, THE MUIR, AND FESTIVAL DANCE  |  May 22, 2012
    Erik Satie called his vocal work Socrate a "symphonic drama," though it's anything but dramatic in a theatrical sense — or symphonic, either.
  •   JOFFREY BALLET GETS ITS DUE  |  May 08, 2012
    New York has two great ballet companies, New York City Ballet and American Ballet Theater. Any other ballet troupe that wants to put down roots there has to develop a personality that's distinct from those two.
  •   THE BOSTON BALLET’S DON QUIXOTE  |  May 01, 2012
    In the long string of ballet productions extracted from Miguel de Cervantes's novel Don Quixote, the delusional Don has become a minor character, charging into situations where he shouldn't go and causing trouble instead of good works.
  •   THE TREY MCINTYRE PROJECT IGNITES THE ICA  |  March 21, 2012
    When Trey McIntyre found a base for his infant company in Boise, Idaho, four years ago, eyebrows lifted in the dance world.
  •   BALLET HISPANICO FALLS SHORT  |  March 13, 2012
    All three dances presented by Ballet Hispanico at the Cutler Majestic last weekend depended heavily on costume effects to convey their messages.

 See all articles by: MARCIA B. SIEGEL