Kazin and Parker maintain a perpetual rivalry and attraction. Whenever they meet, they begin a co-dependent dance. It could be a side-by-side shuffling tap routine, or a Cubist nightmare of interlocking shapes, or a turf war over a wine glass that ends in a falsetto chorale to the Snowflakes tune. They may need each other, but they’re an uneasy match: Parker, the primo, vain and lordly, capable of making a classically pure attitude pose among his klutzy pointe bourrées; Kazin, the second banana who nevertheless gets to show off his speedy pirouettes and windmill turns at every opportunity.
When the whole troupe finally come out to fling themselves into a series of bows, the audience is in love with them all, Parker, Kazin, Digby, and Cristina Aguirre, Marissa Palley, Nic Petry, Amber Sloan, Emily Tschiffely, Zack Winokur, and Anne Zuemer. On the last note of the coda, they toss celebratory fistfuls of snow into the air.
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Dance
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