LITTLE MENArtsEmerson scored Lee Breuer's Obie-winning 2003 production of Mabou Mines DollHouse at the end of a world tour. Stuffed into a Victorian dollhouse, the staging of Ibsen's landmark melodrama was billed as a metaphorical rendering of the dramatist's feminism as "a parable of scale." Indeed, the men were all played by little people who fit comfortably in a space wherein regulation-size women were cramped and confined. Turning on a dime from inventive parody to painful feminist triumph, the production was a revelation.
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Also giving her all for an undeserving male is Helena of All's Well That Ends Well, this year's Commonwealth Shakespeare Company offering of free Bard on Boston Common. Artistic director Steven Maler delivered his best work in years, a melancholy staging that ameliorated without glossing over the disturbing undertones of this so-called comedy centered on an enterprising woman who will stop at nothing to get a guy not worth having.
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