Portland Stage’s comedy about hope and age

Taking their time
By MEGAN GRUMBLING  |  April 4, 2012

theater_Heroes_main
CROSSING OVER The three heroes of Heroes.

In one sense, time is the most plentiful possession of World War I veterans Gustave (Edmond Genest), Henri (Munson Hicks), and Philippe (Philip Goodwin), who live together in a military retirement home in the French countryside. In another sense, as they know all too well, their time is ever shorter. The juxtaposition is the heart of Heroes, Tom Stoppard's adaptation of Gérard Sibleyras's light, slow, sweet comedy about aging, Le Vent des peupliers ("The Wind in the Poplars," literally). It is produced by Portland Stage Company, under the direction of Paul Mullins.

The three heroes of the title spend their long days on a certain favorite terrace, which they jealously guard from the intrusions of other residents, discussing the conspiracies of the nuns, the loveliness of the neighbor schoolgirls and their young teacher, and the question of whether the stone dog on the terrace is or is not animate. All three have their quirks and infirmities: Philippe still holds shrapnel in his head and is prone to fainting spells; the "born enthusiast" and bon vivant Henri has a limp; and Gustave, for all his ostentatious posturing, has become paralyzingly agoraphobic. And because all three feel trapped in quotidian banalities, in the face of their numbered days, they plan a last adventure: Escape from the retirement home — along with the stone dog — to the hill where poplars sway in the wind with seductive freedom.

The tone of their conversation and foibles moves between whimsically comic and gently lyrical, with dashes of salt: From grumblings over Sister Marguerite (suspected of offing people when more than one man share the same birthday), they shift easily into reveries — of the poplars, of "slim-ankled girls all around me like starlings" — with the occasional earthier quip: "Personally," Philippe remarks about relations with the fairer sex, "I think making them laugh is as important as making them climax." But never tell her that, scoffs Gustave: "She'll think you're going to divide your concentration and she'll drop you just like that."

Their verbal follies and mild physical comedy play out over yet another beautifully designed set by Anita Stewart, with a long terrace, faintly mossed with age and set with plants and simple patio furniture, and the soft, indistinct blues of a country sky behind (lighting design by Gregg Carville). The men clothes show their care and innocent vanity about their appearance in their ties, wool vests, and jackets, with Henri sometimes sporting military metals (Hugh Hanson's costume design).

The actors, all Equity, make distinct, affectionate eccentrics of the aged soldiers. Genest's Gustave has a warm, rascally streak, and Hicks nicely balances Henri's pompous pedantry with his deeply concealed trauma. Goodwin, with his slight frame and wispy white hair, is a perfect embodiment of the frail and easily distracted Philippe; as time wears on and his spells increase, he practically seems to blow in the breeze. Their rapport shifts easily through skirmishes, absurdity, fraternité, and silence, and the warmth of their laughter together is quietly affecting.

1  |  2  |   next >
  Topics: Theater , Theater, Tom Stoppard, Theatre,  More more >
| More


Most Popular
ARTICLES BY MEGAN GRUMBLING
Share this entry with Delicious
  •   STEEL POPPIES  |  July 18, 2014
    Linda Sturdivant directs a spirited and attractively appointed production of the musical The Full Monty , the Americanized version of the 1997 British film, at the historic City Theater, in Biddeford.
  •   THE MOST BRUTAL SPORT  |  July 11, 2014
    Ballet is not for pussies.
  •   DISTILLED PORTRAIT  |  July 10, 2014
    The greatest love of the show’s title—for both Chamberlain and its audience—remains the war itself.
  •   MAKE/BELIEVE  |  June 25, 2014
    Portland is already in the thick of the PortFringe 2014, the city’s third annual festival of eclectic, wide-ranging theater from here and afar. This year’s festival of 50 shows runs June 24-29 at six venues — Empire, Geno’s, Mayo Street Arts, SPACE Gallery, and the Portland Stage Studio Theater and Storefront — and includes a first-ever Family Fringe program.
  •   AS WE LIKE IT  |  June 18, 2014
    PortFringe, Fenix Theatre Company, Maine State Music Theatre, Deertrees Theatre, and more

 See all articles by: MEGAN GRUMBLING