The ringmaster and sometimes lion tamer of this circus is Jerry's wife, Patricia (Jane Nichols). Unbeknownst to the rest, she has told their two daughters that they can have her getaway cabin to themselves and their husbands, alone for the weekend. Hah. She wants to enforce family time. Sarah (Bridget Saracino) describes her manipulative mother to boyfriend Joshua (Darien Battle) as "overbearing," a mild assessment. Ever-angry daughter Elizabeth (Alexandra Lawrence) adds to the tension, not helped by ineffectual ur-WASP husband Chase Grayson III (Ben Chase). Much that follows strains at the leash of plausibility, with much forced humor: someone being surprised by strangers and leaping onto the bed where the threat is instead of away; a grown man being afraid of going outside to pee. Through it all, Jerry finds ears to be overrated, his oblivion further enhanced by sucking down copious amounts of medical marijuana.

< prev  1  |  2  | 
  Topics: Theater , Brown University, Theater, Theatre,  More more >
| More


Most Popular
ARTICLES BY BILL RODRIGUEZ
Share this entry with Delicious
  •   REVIEW: EL RANCHO GRANDE  |  May 21, 2013
    Having a yen Mexican food and limiting yourself to tacos and burritos is like craving French food and choosing french fries.
  •   REMIXING SHAKESPEARE  |  May 13, 2013
    From music to costumes to inserted interludes of dance and mad poetry, this staging is vivacious.
  •   A CLOSE ENCOUNTER  |  May 13, 2013
    The set-up couldn't be more straightforward: two strangers are having a conversation in New York's Central Park. Correspondingly, the set couldn't be more simple: a park bench in front of tall color photographs of its bucolic backdrop.
  •   REVIEW: TRATTORIA LONGO  |  May 13, 2013
    Preparing most Italian dishes doesn't require the complexity of organic chemistry. Fresh ingredients, a good recipe, well-timed cooking, and ecco! Benissimo!
  •   SOUR AND DOUR SOULS  |  May 07, 2013
    Some people are brittle and dry as tinder, but they don't have the sense to not play with matches. The two women at the dangerous center of Martin McDonagh's The Beauty Queen of Leenane could blaze up at any moment, and we know that one or both will by the end. Each is filled with so much pent-up hatred that spontaneous combustion seems a distinct possibility.

 See all articles by: BILL RODRIGUEZ