Good Theater explores being stuck, and escaping

By MEGAN GRUMBLING | October 18, 2012

Still, in the end, Margie is back in Southie where she started. Allen's cast of Southie neighbors, including Roche, Jesse Leighton, and Suzanne Rankin, excel in their brash, bawdy banter; in moments when a key reveal breaks through the ribbing, the pacing might slow just an extra beat or two. All said, the Good Theater presents a poignant, challenging, and often wrenching portrait of a woman stuck in poverty and a man who escaped it. It does so at a time in America when questions of how these classes understand each other could hardly be more of the moment.

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ARTICLES BY MEGAN GRUMBLING

THOUGHTFUL LAUGHS IN WITTENBERG | May 09, 2013
Much has been made of Prince Hamlet's exhausting philosophical indecision. To be or not? To kill or not? He has a hell of a time figuring it out, when he should be happily ensconced in college life back in Wittenberg.

TWELVE MAINE PLAYS IN ACORN’S FESTIVAL | May 03, 2013
It's time once again for Acorn Productions' annual celebration of the playwrights living among us.

A SURREAL COMEDY FROM DRAMATIC REP | April 24, 2013
Life is in upheaval for these four friends, and all of them will need to go deep to make sense of things in Swimming in the Shallows , a comedy with a touch of the surreal, by Adam Bock.

WOOLF’S ORLANDO ON STAGE AT USM | April 25, 2013
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CAROLYN GAGE’S NEW SHORT PLAYS GIVE WOMEN VOICE | April 10, 2013
Women's experience of slavery, genocide, and cultural oppression, says playwright Carolyn Gage, is very different than men's: Sexual violence and women's ability to give birth makes them subject to a particularly penetrating form of colonization. And even the best-intentioned histories, she adds, often try to "disappear" that difference.