Fantasy, reality, and the in-between

By GREG COOK | December 18, 2012

• BLACK AND WHITE

Candita Clayton Studio, meanwhile, showcased two local photographers who continue to mine the classic Modernist black and white techniques of Ansel Adams and Edward Weston. Salvatore Mancini of Cranston, whose prints were on view in April, and Philip Jameson of Providence, who exhibited in November, focus on landscapes as breathtaking, transcendent experiences.

• WATER PROOF

Umbrellas were the key ingredient in the smashing abstractions in Wakefield artist Kristin Sollenberger's show "Precipitate" at Craftland in October. The recycled fabrics reinvigorated her catchy Modernist geometric flower or mandala or starburst designs with a glossy sheen and folksy touch. It was just one of the standout shows at Craftland this year — including the crisp Yankee Modern furniture by Warren's O&G Studio and Oregon artist Daria Tessler's fantasy drawings.

• MANIFEST DESTINY

San Francisco's Alison Pebworth brought her road show of exquisitely painted, muckraking, magic realist banners to 186 Carpenter in October. From slavery to the devastation of Native Americans to Karl Rove and Dick Cheney, this was American history as a nightmare from which we're trying to awake.

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Topics: Museum And Gallery , Brown University, AS220, Agata Michalowska, More

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ARTICLES BY GREG COOK

A REALLY BIG SHOW! | May 21, 2013
This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.

CLOTHES MAKE THE MAN | May 13, 2013
What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.

MERRY PRANKSTERS | May 07, 2013
Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.

ALTERED IMAGES | April 30, 2013
Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.

IN THE CITY | April 23, 2013
One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.