Trinity Rep’s timely All the King’s Men
By BILL RODRIGUEZ | September 12, 2007
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Stark contrasts, Adaptation, Best of show, More 
- Stark contrasts
The 20th anniversary production of Trinity Repertory Company’s All the King’s Men is remarkable, not simply a skillful reprise but a re-envisioning.
- Adaptation
If your inner Mr. Memory — not to mention your outer Blockbuster — is operating, you recall The 39 Steps.
- Best of show
After all, every nominee for a best actor or actress Tony or Oscar usually deserves to win.
- Bottled-spider web
Richard III is a thing of additions and subtractions.
- Life’s enchanted cup
The buzz about Trinity Repertory Company’s Our Town has centered on its double-barreled depiction of community.
- Present laughter
Director Brian McEleney returns to Trinity Repertory Company for a raucous Twelfth Night that hums with energy, drollery, and a makeshift score that meshes Shakespearean ditty with such seasonal fripperies as "Auld Lang Syne" and the Mariah Carey hit "All I Want for Christmas Is You."
- The best on the boards
There have been a few muggings on the rialto this year.
- Everyday people
When Thornton Wilder’s Our Town hit the stage in 1938, mainstream Broadway ticket holders finally knew the thrill of theatrical surprise that artsy appreciators of the avant-garde had been crowing about.
- Serious business
Playwright and director Moisés Kaufman likes to say that Oscar Wilde was the first performance artist.
- A life on the boards
An actor who has done 100 productions at the same theater?
- Dynamic duo
There are King Oedipus and his mom, there are Romeo and Juliet, and there are Oscar and Felix.
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, Pulitzer Prize Committee, Richard Nixon, Huey Long, More
, Pulitzer Prize Committee, Richard Nixon, Huey Long, Joe Wilson, Brian McEleney, Adrian Hall, Robert Penn Warren, Jack Burden, Willie Stark, Dallas Theater Center, Less