Distillation

By KEN GREENLEAF | November 20, 2007

Looking closely at the pieces in this show can bring the viewer into a genuine experience of another person’s thinking about something they care about. That is, after all, what art is meant to be about.

“Tiny” is worth seeing for the rather uncommon experience of seeing a large collection of such diminutive work and experiencing the difference that size does, or doesn’t, make.

Ken Greenleaf is married to one of the artists in the show, but not one mentioned above. He can be reached at ken.greenleaf@gmail.com.

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ARTICLES BY KEN GREENLEAF

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It's a peculiarly American irony that the same man who basically invented the advertising model for the business of broadcasting radio and later television would have amassed a significant collection of modernist art.

STOP MAKING SENSE | April 17, 2013
The current show by the highly-acclaimed Danish artist Per Kirkeby at the Bowdoin College Museum of Art is a broad survey of his work, with examples of his paintings and sculpture from the 1960s up to a few years ago.

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The world is, as Tom Friedman has noted, flat, which doesn't take much label-reading to ascertain.

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"Lois Dodd: Catching the Light" is the kind of show that reminds you why you got interested in art in the first place. The paintings are terrific and the big, first-floor gallery at the Portland Museum of Art has never looked better.