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Crucifictions, An awkward adaptation, Sin and forgiveness, More 
- Crucifictions
“Once upon a time” is how it starts. Upon this Michal insists.
- An awkward adaptation
Times change, but the frailties of the human heart . . . not so much. That overworked muscle can be haplessly generous or slammed-door shut. Nathaniel Hawthorne's mid-19th century novel The Scarlet Letter still stands as a perceptive examination of the eternal internal battle between love and hate.
- Sin and forgiveness
Theater is always trying to impress us by heightening reality, one way or another.
- Freedom fighters
Anglo-Irish playwright Martin McDonagh’s The Pillowman, which is getting its area premiere at New Repertory Theatre (at the Arsenal Center for the Arts through October 1), is a superficially clever play.
- Darkness in lights
The coming cold season of theater looks to veer toward darkness, crime, acrimony, and/or moral and sexual ambiguity — excellent news!
- What is normal?
The Gamm has done it again, giving us a performance not to be missed.
- New and old
First, a tribute to a few of the year's newer theater ventures.
- Bruised brothers
The culmination of a grim trilogy from Martin McDonagh, the bad boy of modern Irish theater.
- Players and painted stage
It seems the fall theater season was shot from a gun this year, barely after the Labor Day picnic baskets had been packed away.
- Right on target
Under Tony Reilly’s direction, the American Irish Repertory Ensemble makes rich, wicked, and poignant work of the brothers’ murderous one-upmanship.
- The war games
The Cry of the Reed seems torn from some particularly gruesome headlines: kidnapping, beheading, such stuff as Daniel Pearl’s final dreams were made on.
- Less
Topics: Theater
, Entertainment, Performing Arts, Law Enforcement, More
, Entertainment, Performing Arts, Law Enforcement, William Shakespeare, Quentin Tarantino, Karen Carpenter, Theater, Theatrical Plays, Martin McDonagh, Steve Kidd, Less