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Photos: RISD's Chace Center

Images from Rhode Island School of Design's new museum

By FLINT BORN | September 26, 2008

Photo by Flint Born

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Vandal-in-chief
Shepard Fairey and his show "Supply and Demand" arrive at the Institute of Contemporary Art like a guerrilla general emerging from the jungle after his forces have taken the capital.
The healing arts
Eunah Kim, a Korean-born, Cambridge-based artist with advanced lung cancer, has focused her craft on dark imagery.
Michael Mazur, 1935 - 2009
"He was so alive ," a friend wrote to me a few days after Michael Mazur died, on August 18.
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Vandal-in-chief
Shepard Fairey and his show "Supply and Demand" arrive at the Institute of Contemporary Art like a guerrilla general emerging from the jungle after his forces have taken the capital.
The healing arts
Eunah Kim, a Korean-born, Cambridge-based artist with advanced lung cancer, has focused her craft on dark imagery.
Michael Mazur, 1935 - 2009
"He was so alive ," a friend wrote to me a few days after Michael Mazur died, on August 18.
A cop with an assitude
Mr. McGee comes by his name honestly. He is, quite simply, an ass.
Thinking small
The collective of artists spread out through the museum and helped the ICA’s staff — scrubbing the lobby, counting visitors, standing guard, cleaning the café.
Entourage
One thing we’ve learned from the Globe ’s seven-day package “The Making of Mitt Romney” is that the man takes pride in his Ward Cleaver coif.
'Caves of comfort' help city dwellers beat the cold
Local musician and writer Susan Sakash, 30, had only one qualm about living in an old Providence warehouse. Though she didn't mind the 12-foot ceilings and open space in the summertime, Sakash says, "I was kind of freaked out about the winter."
Two sides of life
"I started as a commercial artist, and I want to finish as a business artist," the Pop artist Andy Warhol wrote in 1975. "Making money is art and working is art and good business is the best art."
In Pawtucket, a Haitian-American family anxiously waits
Their roof is a blanket held up by sticks, their bed is dirt. Every morning, they wake — the grandparents, aunts, uncles, nieces, nephews — and begin their journey on foot to search for something to eat and drink.
With plans for a downtown mural, Shepard Fairey returns to Providence
It is a rather unremarkable collection of bricks at the moment: an exterior wall at the back of Trinity Repertory Company’s Pell Chafee Performance Center in downtown Providence.
Deep cuts
The beauty of Kara Walker's silhouettes lies in their concurrent brutality and daintiness, and in her unabashed exploration cutting to the meat of the black-and-white binary in American contemporary culture.
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