Boys’ life

By GREG COOK  |  October 15, 2008

Pastorino creates his cute toy-like look by favoring a very limited range of focus, so that only a narrow band is clear and the rest is fuzzy, and by shooting from distant and usually elevated perspectives. Tokyo photographer Noaki Honjo used a similar technique for his photos at Bernard Toale Gallery this spring. The gimmick has become so popular that it’s acquired the name “tilt-shift miniature faking” because it often involves tampering with the tilt of the lens in relation to the film — though people also fake it with digital editing.

Pastorino likes to tinker with gadgets, and he ups the ante with magical 3-D slides and panoramic 3-D shots. Put on 3-D glasses and you peer into photos of people on a moving sidewalk, a street of suburban New Hampshire houses, a May Day parade in Cuba. Things squash and stretch and blur, as if time and space themselves were warped. Is there anything more neato than art that requires you to wear 3-D glasses? The boys will love it.

You can read Greg Cook’s blog at gregcookland.com/journal.

< prev  1  |  2  |  3  | 
Related: Fall Art Preview: Heavy construction, A certain kind of disorientation, Arts and science, More more >
  Topics: Museum And Gallery , Culture and Lifestyle, Hobbies and Pastimes, United Nations,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.
  •   THE AFTERMATH OF ATROCITY  |  April 16, 2013
    From the ruins of the Iraq war emerges Wafaa Bilal's "The Ashes Series" and Daniel Heyman's "I Am Sorry It Is So Difficult To Start," on view at Brown University's Bell Gallery.

 See all articles by: GREG COOK