East meets West

By GREG COOK  |  March 24, 2009

Curators Noriko Murai of Temple University and the Gardner's Alan Chong re-create the feel of that room with their jewel-box installation. It reflects Gardner's typical eclecticism — snarling shaggy 15th-century Japanese wooden fu dogs, tiny silver and enamel 19th-century Chinese opium boxes, an 18th-century Japanese writing box dazzlingly decorated with gold and silver palms, a 19th-century Indian box intricately decorated with silver floral interlace, a 17th-century Japanese screen depicting scenes from The Tale of Genji. Gardner's Martha Stewart side comes out in a (re-created) door that she decorated with 24 woodblocks — not the prints, the blocks themselves, which intrigue with their intricate carving.

The black gallery walls and spotlights give everything a feel of majesty and reverence. And draw your eye to a 17th-century gilded-bronze Chinese Buddha seated on a lotus-leaf throne. He's awesomely calm.

Read Greg Cook's blog at gregcookland.com/journal.

< prev  1  |  2  |  3  | 
Related: Three's company, Review: Littlerock, Exposures, More more >
  Topics: Museum And Gallery , Culture and Lifestyle, Language and Linguistics, Japan,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   A REALLY BIG SHOW!  |  May 21, 2013
    This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

 See all articles by: GREG COOK