Play by play: July 31, 2009

Plays from A to Z
By JEFFREY GANTZ  |  July 29, 2009

CAROLINE IN JERSEY | Melinda Lopez's new play finds our heroine "down and out in New Jersey" — her acting career is tanking, and "a peculiar stranger has made his presence known in her new apartment." Can Caroline get it together? Will LeBow, Matt McGrath, Lea Thompson, and Brenda Wehle star in this world premiere; Williamstown Theatre Festival artistic associate Amanda Charlton directs. | Williamstown Theatre Festival Nikos Stage, 1000 Main St, Rte 2, Williamstown | 413.597.3400 | August 5-16 | Curtain 3 + 8 pm Thurs | 8 pm Fri | 4 + 8:30 pm Sat | 2 pm Sun | $35-$37

THE COMEDY OF ERRORS | It's Shakespeare, it's on the Common, it's from Commonwealth Shakespeare, one of the nation's top purveyors of free Shakespeare, and it's, yes, free — what more do you need to know? Okay, this is one of the Bard's earliest and slapstickiest comedies, and it doesn't get done all that often. Arriving at Ephesus from their home in Syracuse, Antipholus and his servant Dromio discover their separated-at-birth twins, who of course have the same names, so you can imagine the mistaken-identity situations that ensue. Steve Maler directs; the cast includes Remo Airaldi as Dromio of Ephesus, Larry Coen as Dromio of Syracuse, Joseph Stamell as Antipholus of Ephesus, Dan Roach as Antipholus of Syracuse, Fred Sullivan Jr. as Ægeon, Jennifer Ellis as Adriana, and Zofia Gozynska as Luciana. Oh, and "one very important part has not yet been fully cast. . . . Interested greyhounds should call 617.426.0863." | Boston Common, Parkman Bandstand || July 31–August 16 | Curtain 8 pm Tues-Sat | 7 pm Sun | Free

DEATH OF A SALESMAN | Attention must be paid once again as Independent Theatre Company presents Arthur Miller's Tony- and Pulitzer-winning story of Willy Loman, who as his sales career starts to tank wonders whether he can't provide for his family by committing suicide so they can collect his insurance. (The insurance company, of course, has other ideas.) Miller wrote his play back in 1949, but 50 years later, it hardly seems out of date. Boston Center for the Arts Plaza Black Box Theatre, 539 Tremont St, Boston | 617.933.8600 | July 30–August 8 | Curtain 8 pm Thurs-Fri | 3 + 8 pm Sat | 3 pm Sun | $20-$25

THE DEVIL'S ADVOCATE | Shakespeare & Company takes up Donald Freed's 2005 two-hander, whose setting is Panama City in 1989. The Americans are invading, and General Manuel Noriega has taken refuge in the papal nunciature, where his only companion is Archbishop José Laboa. The general is looking for sanctuary abroad from the archbishop; when that's not forthcoming, he starts to explain why the mess he's in is not his fault but the CIA's. Dennis Krausnick and Ignatius Anthony make up the cast; Dee Evans and Clare Reedy direct. | Elayne P. Bernstein Theatre, 70 Kemble St, Lenox | 413.637.3353 | July 30–August 16 | Curtain 8:30 pm July 30, 31 + August 1, 5, 6, 9, 11, 13, 15 | 3 pm August 16 | $16-$38; $11-$29 students, seniors

1  |  2  |  3  |  4  |  5  |  6  |  7  |   next >
Related: Play by play: July 24, 2009, Play by Play: August 7, 2009, Year in Theater: Staged right, More more >
  Topics: Theater , Arsenal Center for the Arts, Musicals, Pablo Picasso,  More more >
| More

Most Popular
Share this entry with Delicious
    Fifty-four years after its groundbreaking Broadway premiere, Lorraine Hansberry's A Raisin in the Sun remains as dense, and as concentrated, as its title fruit.
  •   LIGHT WAVES: BOSTON BALLET'S ''ALL KYLIÁN''  |  March 13, 2013
    A dead tree hanging upside down overhead, with a spotlight slowly circling it. A piano on stilts on one side of the stage, an ice sculpture's worth of bubble wrap on the other.
  •   HANDEL AND HAYDN'S PURCELL  |  February 04, 2013
    Set, rather confusingly, in Mexico and Peru, the 1695 semi-opera The Indian Queen is as contorted in its plot as any real opera.
  •   REVIEW: MAHLER ON THE COUCH  |  November 27, 2012
    Mahler on the Couch , from the father-and-son directing team of Percy and Felix Adlon, offers some creative speculation, with flashbacks detailing the crisis points of the marriage and snatches from the anguished first movement of Mahler's unfinished Tenth Symphony.
    "Without The Nutcracker , there'd be no ballet in America as we know it."

 See all articles by: JEFFREY GANTZ