Three-ring circus

By BILL RODRIGUEZ  |  July 29, 2009

That's just the start. Brother Duane Smiley (Jonathan Dent), who was found as a baby in a basket on Modestine's doorstep, is all set to marry a gold-digging hussy, Jolene Watkins (Liz Morgan), whom no one but he likes. His entirely unmotivated attraction to her is a serious flaw only slightly finessed by this being a comedy. What redeems the character is Morgan's brilliantly enthusiastic performance as a villainess enamored with herself and her egocentric excesses, helped by the playwright making her a rabid Christian who knows that Jesus will always love her.

Pearl Jenkins (Rachel Christopher), who works at Modestine's fried chicken emporium, gets some good lines putting down Jolene and her sluttish ways. Pearl: "Heave." Jolene: "Heave what?" Pearl: "Heave, ho!" The most sympathetic character here is Mattie Baines (Lynette Freeman), pregnant though married, who shows up to apologize to Dwayne for having left him at the altar. A mystery that remains to the end is why she did so and why she won't reveal the reason. The answer we eventually get is somewhat convoluted but plausible.

This is a comedy that contains an outright farce wanting to break free. When it finally does, through the surrealism of an outlandish extended Viagra sight gag, the tone might be awkwardly broken, but most of us will be laughing too hard to care — not even when we are expected to believe that Delmar has to deliver a baby himself even though they are in a hospital. Chicken Grease is propelled by outlandish plot turns and wholeheartedly committed acting that makes the evening too funny to worry about such niceties as Aristotelian unities.

< prev  1  |  2  |  3  | 
Related: Rock n' Roll saves the day, An Obama confidant on the surge in Afghanistan, Séance, More more >
  Topics: Theater , Entertainment, Science and Technology, Anna Ziegler,  More more >
| More


Most Popular
ARTICLES BY BILL RODRIGUEZ
Share this entry with Delicious
  •   THE PLAY'S NOT THE THING  |  June 18, 2013
    Historian Charles L. Mee is also a playwright with a lengthy list of works to his credit, but he could more accurately be called an anti-playwright. Having declared that “there is no such thing as an original play,” he has proceeded, typically, to assemble and reconstruct theater pieces from found texts.
  •   ONE DAY AT A TIME  |  June 18, 2013
    As someone says toward the end of this intriguing social-study kitchen-sink drama, it’s easy to get along with people you don’t deal with every day, who don’t know you inside out and can make you feel terrible with just a look.
  •   UPSTAIRS, DOWNSTAIRS  |  June 12, 2013
    What a clever idea. Use the same cast and adjacent sets, and develop characters and their stories into two plays that stand alone but also offer the bonus of familiarity to audience members who see them both.
  •   UNSETTLING SLICES OF LIFE  |  June 11, 2013
    ' BOB: Blessed Be the Dysfunction That Binds ' is about Anne Pasquale’s experiences growing up with a “special needs person” with schizophrenic tendencies, a balancing act of love and trepidation. Bob, you see, could be violent.
  •   AND JUSTICE FOR ALL?  |  June 04, 2013
    Don't ever get arrested for a serious crime. That's one of the infuriating lessons learned from ' The Exonerated ,' a drama of justice delayed written by Jessica Blank and Erik Jensen.

 See all articles by: BILL RODRIGUEZ