Play by play: October 30, 2009

By JEFFREY GANTZ  |  October 28, 2009

NEVERMORE | This effort from F.U.D.G.E. Theatre Company is, yes, based on the Edgar Allan Poe poem, though looking at the cast of characters — Edgar, Mother, Virginia, Elmira, Muddy, and Whore — we’d be hard-pressed to say exactly how. (Where’s Lenore? Or does that rhyme with Whore?) We do know it’s a musical, with book by Grace Barnes and book by Matt Conner; Joe DeMita directs. | Arsenal Center for the Arts Black Box, 321 Arsenal St, Watertown | 781.245.0500 | November 5-7 | Curtain 8 pm Thurs-Fri | 2 + 8 pm Sat | $20

THE ODYSSEY | Charlestown Working Theater reprises last February’s production, for which the company’s directors, Jennifer Johnson and John Peitso, adapted Homer’s epic poem as a performance piece “for two people traveling together in a small boat, sailing across a half-real, half-imaginary landscape.” Johnson and Peitso perform the piece in a 15-foot rowboat, telling the poem’s “tale of exile and return in fragments, using original and adapted music, text, image, and physicality.” | Charlestown Working Theater, 442 Bunker Hill St, Charlestown | 866.811.4111 | November 6-21 | Curtain 8 pm Fri-Sat | $20; $15 students, seniors

THE OVERWHELMING | Company One presents this thriller from J.T. Rogers (Madagascar, White People), in which Jack Exley, who’s looking to research his new book, moves his family to Rwanda. The year just happens to be 1994, so he, his wife, and his teenage son soon begin “to unearth unexpected truths about this tiny, troubled nation . . . and about themselves.” Shawn LaCount directs.| Boston Center for the Arts Plaza Theatre, 539 Tremont St, Boston | 617.933.8600 | October 30–November 21 | Curtain 7:30 pm Wed-Thurs | 8 pm Fri-Sat | 2 pm Sun | $30-$38; $30 seniors; $15 students; $18 Wed

THE SALT GIRL | The latest from local hero John Kuntz is being described as “a valentine to all of us who have lost a loved one.” Kuntz performs in what we gather is a one-man show; David R. Gammons directs. | Boston Playwrights’ Theatre, 949 Comm Ave, Boston | 866.811.4111 | November 5-22 | Curtain 7:30 pm Thurs | 8 pm Fri | 4 + 8 pm Sat | 2 pm Sun | $30; $25 seniors; $10 students

A TALE OF TWO CITIES | Wheelock Family Theatre stages this Dwayne Hartford adaptation of the Charles Dickens classic about the French Revolution and the “far, far better thing” than Sydney Carton had ever done before. Susan Kosoff directs. | Wheelock Family Theatre, 200 the Riverway, Boston | 617.879.2300 | October 30–November 29 | Curtain 7:30 pm Fri | 3 pm Sat-Sun | $15-$25

THE WONDERFUL WORLD OF DISSOCIA | “If you like Alice in Wonderland, but there’s not enough sex and violence in it, then Dissocia is the show for you” is how edgy British playwright Anthony Neilson describes his fantasy, in which Lisa Jones is trying to recover a critical lost hour in her life and wondering whether the “curious inhabitants” of Dissocia will be inclined to help. Emerson grad Philana Mia stars as Lisa; Danielle Fauteux Jacques directs this Apollinaire Theatre Company production. | Chelsea Theatre Works, 189 Winnissimet St, Chelsea | 617.887.2336 | October 30–November 29 | Curtain 8 pm Fri-Sat | 3 pm Sun [November 22, 29] | $25 advance; $30 doors

< prev  1  |  2  |  3  |  4  |  5  |  6  |   next >
Related: Play by play: November 6, 2009, Dodging death, 2009: The year in theater, More more >
  Topics: Theater , Entertainment, John Lennon, Paul McCartney,  More more >
| More

Most Popular
Share this entry with Delicious
    Fifty-four years after its groundbreaking Broadway premiere, Lorraine Hansberry's A Raisin in the Sun remains as dense, and as concentrated, as its title fruit.
  •   LIGHT WAVES: BOSTON BALLET'S ''ALL KYLIÁN''  |  March 13, 2013
    A dead tree hanging upside down overhead, with a spotlight slowly circling it. A piano on stilts on one side of the stage, an ice sculpture's worth of bubble wrap on the other.
  •   HANDEL AND HAYDN'S PURCELL  |  February 04, 2013
    Set, rather confusingly, in Mexico and Peru, the 1695 semi-opera The Indian Queen is as contorted in its plot as any real opera.
  •   REVIEW: MAHLER ON THE COUCH  |  November 27, 2012
    Mahler on the Couch , from the father-and-son directing team of Percy and Felix Adlon, offers some creative speculation, with flashbacks detailing the crisis points of the marriage and snatches from the anguished first movement of Mahler's unfinished Tenth Symphony.
    "Without The Nutcracker , there'd be no ballet in America as we know it."

 See all articles by: JEFFREY GANTZ