Salem's spookiest tourist traps

By GREG COOK  |  October 21, 2011

witchhouse

WITCH HOUSE
This spooky-looking black house was actually the home of witch-trial judge Jonathan Corwin in the 1600s. It seems to have been dubbed the Witch House because of tales that accused were examined or tried there. "But there's no evidence of that," tour guide Jessica Berger explains, "so we don't claim it." Inside is a not-spooky selection of period furnishings (none from Corwin himself) plus a simple doll (a witch's poppet?) discovered inside the walls of a 17th century house in the region. Berger wouldn't reveal where.

310 Essex Street | $8.25 | 978.744.8815 | witchhouse.info

<< first  ...< prev  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |   next >...  last >>

12 of 18 (results 18)
  Topics: Lifestyle Features , Salem, halloween10, Museums,  More more >
| More

Most Popular
Blogs
 More: Phlog  |  Music  |  Film  |  Books  |  Politics  |  Media  |  Election '08  |  Free Speech  |  All Blogs
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.
  •   THE AFTERMATH OF ATROCITY  |  April 16, 2013
    From the ruins of the Iraq war emerges Wafaa Bilal's "The Ashes Series" and Daniel Heyman's "I Am Sorry It Is So Difficult To Start," on view at Brown University's Bell Gallery.

 See all articles by: GREG COOK

LATEST SLIDESHOWS

All Slideshows