Salem's spookiest tourist traps

By GREG COOK  |  October 21, 2011

village_

SALEM WITCH VILLAGE
A guided tour through centuries of mannequin land teaches the truth and fiction of witches. See a shaman, a country witch offering herbal remedies, a pumpkin-headed scarecrow monster, Giles Cory under pile of rocks, and "Mr. Fluffy," a dragon who gives you good luck if you rub his belly. Fun story: guide explains that the first elephant to come to the United States arrived via Salem Harbor, and was drunk because its ship ran out of water and so turned to rum.

282 Derby Street (becomes Haunted Witch Village on October weekends) | $7 | 978.740.2929 | salemwitchvillage.biz

<< first  ...< prev  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |   next >...  last >>

8 of 18 (results 18)
  Topics: Lifestyle Features , Salem, halloween10, Museums,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.
  •   THE AFTERMATH OF ATROCITY  |  April 16, 2013
    From the ruins of the Iraq war emerges Wafaa Bilal's "The Ashes Series" and Daniel Heyman's "I Am Sorry It Is So Difficult To Start," on view at Brown University's Bell Gallery.

 See all articles by: GREG COOK