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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Daddy’s Little Girls
Not for real life
By
BROOKE HOLGERSON
|
February 21, 2007
DADDY’S LITTLE GIRLS
2.0
Stars
phxcinema#
Daddy_Little_Girls
#')
Tyler Perry secured two likable leads for his new film, and they make
Daddy’s Little Girls
more enjoyable than it has any right to be. Hunky Idris Elba is Monty, a mechanic who loses custody of his three daughters to their no-good mother; the luminous Gabrielle Union is Julia, the high class lawyer who agrees to take his case. But they’re stuck in a film that moves in fits and starts, with well-paced scenes followed by interminably dull ones that seem less intentionally edited than thrown together. Perry, as always, writes in broad strokes, and his world is one of moral blacks and whites; here Monty is a saint, whereas his ex is so evil she lets her drug-dealer boyfriend slap her kids around. Score one for Hollywood fantasy but not for real life.
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Tyler Perry’s Why Did I Get Married?
Janet Jackson as the staid academic “Perfect Patty” delivers a smoldering nugget that lingers on screen long after the moment has passed.
Madea's Family Reunion
Tyler Perry wrote and starred in the shoddy surprise hit Diary of a Mad Black Woman .
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Think Carlton Fisk and Thurman Munson.
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Bratz is based on those slutty dolls people inexplicably buy for their kids.
Sleepwalking
Charlize Theron likes to ugly herself up for roles, hiding her beauty behind dishwater hair and puffy eyes.
Jumper
Life and this movie are too short to have to put up with the little shit.
Norbit
If there’s no limit to your love of fat jokes, this is the movie for you. Watch the trailer for Norbit (QuickTime)
Running Scared
A week after Paul Walker’s beloved sled dogs began their heartwarming fight for survival in Disney’s Eight Below , it’s Walker who needs saving — his new film is for the dogs.
Pulse
A hacker (Jonathan Tucker) kills himself under bizarre circumstances. Watch the trailer for Pulse (Quicktime)
Existential rubble
Sweet Disaster may not topple any of our convictions about how the world works. But that’s only because it reminds us how we stumble over our existential rubble every day.
Hot stuff
Like someone picking at an unhealed sore, Paula Vogel has always returned to the socio-sexual plight of women in her plays.
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ARTICLES BY BROOKE HOLGERSON
REVIEW: PAUL BLART: MALL COP
| January 20, 2009
If you find the sight of a grown man rolling around the mall on a Segway hilarious, this is the movie for you.
TYLER PERRY’S THE FAMILY THAT PREYS
| September 17, 2008
The prolific Tyler Perry is at it again, offering subpar entertainment to audiences so starved for sustenance they’ll eat his cheese.
THE ROCKER
| August 20, 2008
Rainn Wilson of The Office gets promoted to the big screen with this anemic comedy directed by The Full Monty helmer Peter Cattaneo.
KIT KITTREDGE: AN AMERICAN GIRL
| July 01, 2008
Although her film has as much visual flair as an after-school special, director Patricia Rozema gives an appealing attention to period detail, and Breslin is sweet in her first starring role.
REPRISE
| May 21, 2008
Trier captures the moment when the recklessness of youth gives way to adult responsibilities, and the way childhood friendships can fall apart when different paths are taken.
See all articles by:
BROOKE HOLGERSON
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