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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Reno 911!: Miami
Unconstrained by the small screen
By
BROOKE HOLGERSON
|
February 28, 2007
RENO 911!: MIAMI
2.0
Stars
After providing an outlandish corrective to the self-serious police officers on network TV for several years, the cops of Comedy Central’s
Reno 911!
have finally made it to the big screen. And the gang’s all here. This moronic collection of Reno’s finest have hopped a bus to Miami for a police convention, from which they are promptly shut out. Through a convenient plot twist, the real cops are trapped in the convention center and Lieutenant Dangle and crew must protect the city, bringing to the job their usual ineptness and weird sexual tension. Director Robert Ben Garant (who also plays a deputy) offsets commendable speed with sloppy editing that the
faux
-documentary style only partly explains away. Unconstrained by the small screen, the film indulges in explosions and in visiting guest stars (Paul Rudd?) but remains true to form by focusing on the little things, like thongs, of which there are more than in any other movie this year.
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Review: Monsters Vs. Aliens
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Political Movement
Jeff Silva and Alla Kovgan are the curators of the long-going Balagan Film Series at the Coolidge Corner, and also estimable cinéastes in their own right.
19. Judd Apatow and Friends
In their non-probing, unprovocative films, the characters this Hollywood comedic mafia chooses to celebrate are homely, smoke a lot of pot, and watch way too much porn. We get it. Yes, Apatow, Seth Rogen, and Jonah Hill aren’t exactly anyone’s dream dates based on physical attributes alone. But we saved a special unsexy spot for this threesome based on the inescapable fact that we’re completely sick of getting inundated with their repetitive shtick. Apatow gets bonus unsexy points for the right-wing current bubbling beneath his flicks.
Review: Monsters Vs. Aliens
Susan Murphy (voice of Reese Witherspoon) has it all: she's about to marry the love of her life and jet off to Paris.
Anti-depressant cinema
The screen offers relief from a world of woe
Review: Year One
Mel Brooks and the lads from Monty Python stormed through this territory with fierce farce. Here there's little farce, just a fusillade of flaccid dick jokes.
Heat of the moment
There's a reason comedies are rarely over 110 minutes, and Virgin is a good example.
Autumn peeves
With pundits already reading political significance into summer blockbusters like The Dark Knight (“Is Batman a stand-in for George Bush? Discuss.”), the meatier movies of fall arrive not a moment too soon.
Mother of convention
Having laughed more at The 40-Year-Old Virgin than at any other film in 2005, I expected much the same from Judd Apatow’s Knocked Up .
Forgetting Sarah Marshall
Judd Apatow gave the dick joke a shot of Viagra in Knocked Up and Superbad .
The ultimate BROADCAST JOURNALIST movies
Judging from the handful of movies made on the subject, filmmakers have little apparent use for the television business.
Freaks, Geeks, and Faux Bono
As Bay Staters, we recognize that our European ancestors sure knew how to roll: scarlet letters, sticks up asses, if-she-drowns-she's-not-a-witch-if-she-floats-she's-a-witch-so-let's-kill-her legal applications.
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Topics
:
Reviews
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Paul Rudd
,
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ARTICLES BY BROOKE HOLGERSON
REVIEW: PAUL BLART: MALL COP
| January 20, 2009
If you find the sight of a grown man rolling around the mall on a Segway hilarious, this is the movie for you.
TYLER PERRY’S THE FAMILY THAT PREYS
| September 17, 2008
The prolific Tyler Perry is at it again, offering subpar entertainment to audiences so starved for sustenance they’ll eat his cheese.
THE ROCKER
| August 20, 2008
Rainn Wilson of The Office gets promoted to the big screen with this anemic comedy directed by The Full Monty helmer Peter Cattaneo.
KIT KITTREDGE: AN AMERICAN GIRL
| July 01, 2008
Although her film has as much visual flair as an after-school special, director Patricia Rozema gives an appealing attention to period detail, and Breslin is sweet in her first starring role.
REPRISE
| May 21, 2008
Trier captures the moment when the recklessness of youth gives way to adult responsibilities, and the way childhood friendships can fall apart when different paths are taken.
See all articles by:
BROOKE HOLGERSON
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