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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Premonition
False reading
By
PETER KEOUGH
|
March 21, 2007
PREMONITION
1.0
Stars
VIDEO: Watch the trailer for
Premonition
.
Sometimes you wake up and life seems like a badly edited movie. Poor Linda (Sandra Bullock) can’t tell whether it’s Tuesday, when she and husband Jim (Julian McMahon) had a run-in about his new blonde assistant manager, or Wednesday, when Jim died in a car crash, or Sunday, when Dr. Roth (Peter Stormare) shot her full of thorazine and took her to the booby hatch. She even tries putting together a chart, something director Mennan Yapo doesn’t seem to have referred to. Thank God the local priest puts everything in perspective with a string of family-values clichés. David Lynch’s
Inland Empire
finds a woman undergoing a similar disruption in chronological narrative, but where
Empire
shatters common-sense preconceptions of self and reality,
Premonition
clutches at the comfort of trite platitudes. Neither film makes much sense; in
Premonition
, however, that’s the result of incompetent filmmaking rather than an insight into the way things are.
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,
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Spring loaded
It’s spring, and Hollywood has to get the kinks out of its system before it can focus on the business at hand: the sequels of summer.
Oscar predictions 2010
After years of shrinking audiences and low-grossing Best Picture nominees, the Academy this year is hedging its bets.
Origin of species
When in 1976 Jennifer Bartlett premiered her epic painting Rhapsody, John Russell, the chief art critic of the New York Times, proclaimed it “the most ambitious single work of art that has come my way since I started to live in New York." “Jennifer Bartlett: Early Plate Work” at Addison Gallery of American Art ”50 Photographers of Tomorrow” at Art Institute of Boston at Lesley University
Review: My Son, My Son, What Have Ye Done?
Not so much Werner Herzog's return to his former persnickety, off-the-wall, idiosyncratic feature-film-making self as a reprise of his greatest hits, the overloaded My Son, My Son staggers and sometimes comes to a complete halt.
Make yourself uncomfortable
In the past month, Sandra Bullock’s husband betrayed her by screwing a white supremacist with a face tattoo, a Georgia teenager was granted the right to take his boyfriend to prom, and Ricky Martin declared himself a “fortunate homosexual man.”
Dreaming of celluloid
Of the handful of contemporary Asian shows on view in and around Boston this winter, that of Dinh Q. Lê should prove unique — if only because the Vietnamese condition is so far removed from the rest of East Asia’s cultural boom.
Is there 'hope' in Hollywood?
Buoyed by President Barack Obama's campaign slogan, many had hopes for change after his election.
Review: Iron Man 2
Maybe I’m just relieved that it wasn’t in 3-D, or maybe actor Justin Theroux (frequent David Lynch collaborator and co-scripter of Tropic Thunder ) is just a better writer than the law firm of scribes that pasted together the original, but Jon Favreau’s sequel to his creaky adaptation of the rusty Marvel standby Iron Man restores my lack of faith in superheroes.
Portishead
It’s a welcome step into new territory and a more than satisfying downer dose to set against the onset of sunny days and ice cream.
Dark matter
To paraphrase some wisdom from Jake "The Snake" Roberts, if a man has power, he never has to raise his voice. Jake was explaining why, unlike his adversaries, he didn't keep screaming gibberish. But it's a universal truth.
Troop surge
It’s tempting to write off Mercenaries 2: World in Flames , if only because of the noisy ads — they’re scored by an annoying white-boy rap song.
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ARTICLES BY PETER KEOUGH
REVIEW: FOLLOW ME: THE YONI NETANYAHU STORY
| May 29, 2012
Whatever your opinion of the policies of Benjamin Netanyahu, Prime Minister of Israel, you can't deny that his brother Yoni was a hero, a courageous man whose conflicts and triumphs mirror those of his homeland.
REVIEW: MOONRISE KINGDOM
| May 31, 2012
Wes Anderson should always make movies featuring characters who are pubescent or younger — like Rushmore , which until this film was his best.
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
See all articles by:
PETER KEOUGH
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