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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
The Hills Have Eyes II
They should keep 'em closed
By
BRETT MICHEL
|
March 29, 2007
THE HILLS HAVE EYES II
0.5
Stars
VIDEO: Watch the trailer for
The Hills Have Eyes II
.
This quickie sequel to last year’s remake of
The Hills Have Eyes
promises that “the lucky ones die fast.” Not fast enough. Martin Weisz’s follow-up is an unnecessary 89-minute slog. As annoying as last year’s addition to the “torture porn” genre was, the amateurish tedium of Weisz’s installment actually made me appreciate Alexandre Aja’s wasted efforts. Sure, Aja’s film was a reprehensible pile of masochistic shit, but it was handsomely made shit: well paced, with a good cast of actors (Ted Levine, Aaron Stanford). This one only bores — and it carries the fecal metaphor still farther. On the eve of being dispatched to Iraq, a group of remarkably good-looking, incredibly stupid National Guard trainees (unknowns all) become the latest to face slaughter (and rape) at the hands (and tumorous loins) of inbred mutants in the New Mexico desert. Sitting in my seat as a feces-strewn victim was left to rot inside a port-o-potty, I could only empathize.
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Tilda Swinton's mixed metamorphoses
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What lifts this tasty little dramedy above Sundance mediocrity is a pathos that overcomes all the "quirky" dysfunctional contrivance.
War of independents
The IFFB is determined to wrest cinematic freedom from the imperial power of the Hollywood studios.
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The result is emotional pornography not unlike that produced by cable stations when they pump up the “human” angle of catastrophe for higher ratings. Watch the trailer for World Trade Center (QuickTime) Feel-good movie of the summer: Oliver Stone: from the Hollywood crackpot of JFK to the Republican sellout of World Trade Center. By Peter Keough
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
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BRETT MICHEL
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