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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Glastonbury
David Bowie returns
By
PEG ALOI
|
April 4, 2007
GLASTONBURY
" alt="photo of 'GLASTONBURY'">
3.5
Stars
GIMME A BEAT: Glastonbury music festival caught on film.
Julien Temple’s documentary traces the evolution of the world’s most iconoclastic music festival. In 1970, on a field near the sacred site of Glastonbury Tor, a new-age pilgrim’s destination associated with druids, King Arthur, and Joseph of Arimathea, 1500 people paid a pound each to hear bands play. Now crowds number 300,000 a year and pay 200 times that. Early concerns like drugs, nudity, and free love have given way to the modern demons of crime, pollution, and surveillance. (Watch Joe Strummer attack a camera with his mic stand.) Temple edited 900 hours of new and archival footage (including Nicolas Roeg’s 1972 film
Glastonbury Fayre
) into an eclectic, non-linear narrative: golden-lit frolicking hippies meld with glowstick-wearing yahoos. Brief glimpses of concertgoers’ theatrics, protests, and ecstasy accompany performances ranging from Richie Havens, Melanie, and the Velvet Underground to Björk, Morrissey, and Radiohead, plus David Bowie returning after a 30 year absence.
Related
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Decontrolling the price of punk
,
Hot Water Music
,
Famoro Dioubate’s Kakande
,
More
Decontrolling the price of punk
This article originally appeared in the October 13, 1981 issue of the Boston Phoenix.
Hot Water Music
If nothing else, it’s a reminder that two guitars playing the same power chords isn’t always a bad thing.
Famoro Dioubate’s Kakande
The inventive instrumental and choral arrangements add freshness without denaturing the music’s inherent roots appeal.
Movie music
Classical music in 2008 Boston did not get off to a brilliant start.
A philosopher in bunny ears
Martin’s new memoir, Born Standing Up , grants us our best access yet to this remote and brilliant figure — the cool architect of the comedy.
Miraculous?
“Miracle on Tremont Street" offered a reminder that modern rock isn’t completely dominated by watered-down emo-pop pap and heinous post-grunge mush.
Covering Dylan
Dylan is his own cover band.
Luciano Pavarotti, 1935–2007
Luciano Pavarotti was so famous, so beloved, he became the first classical musician since 1940s violinist Jascha Heifetz to have his name become generic.
Pop secrets
This confounding of rock orthodoxy simply happened.
Punk's Not Dead
Wasn’t punk about being independent?
So wrong they're Righteous
Less than two years into their existence, the Self-Righteous Brothers already have a press kit worth of raves.
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,
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ARTICLES BY PEG ALOI
REVIEW: THE FAIRY
| April 18, 2012
Belgian filmmaking trio Dominique Abel, Fiona Gordon, and Bruno Romy (L'Iceberg) have crafted a bittersweet, surreal urban fantasy set in the dreary seaside town of Le Havre.
REVIEW: KILL LIST
| February 28, 2012
Following up his impressive debut, Down Terrace , Ben Wheatley's Yorkshire-based crime thriller swerves with abrupt satisfaction into horror in its final moments.
REVIEW: THE INNKEEPERS
| January 31, 2012
Ti West's spook show is atmospheric (thanks to the terrific hotel setting) and frequently funny; but the plot line is choppy, the dialogue often unnecessary, and the scares too sparse.
REVIEW: THE BEST OF THE OTTAWA INTERNATIONAL ANIMATION FILM FESTIVAL
| January 24, 2012
The Canadians produce the best animation programs and prove it again with this international selection.
REVIEW: THE DEBT
| August 30, 2011
Based on the 2007 Israeli film Ha-Hov, the story weaves present and past together, with most of the action surrounding the fateful mission and the perilous web of duty, passion, and betrayal that still haunts the agents.
See all articles by:
PEG ALOI
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