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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Waitress
Serving happy endings
By
BRETT MICHEL
|
May 9, 2007
WAITRESS
3.0
Stars
VIDEO: Watch the trailer for
Waitress
.
In this posthumous release from writer/director/actress Adrienne Shelly (who was murdered last November, apparently by an illegal immigrant), Andy Griffith is still presiding over small-town America, but it sure as hell isn’t Mayberry. His Old Joe’s got his paternal eyes on Jenna (Keri Russell), a waitress at his diner. She’s a petite, pretty charmer, but she can’t see it, perhaps because she’s used to hearing “You ain’t never been sexy!” screamed at her by Earl (Jeremy Sisto), her controlling ogre of a husband. No wonder she’s taken up a hobby: inventing “Biblically good” pie recipes, such as “I hate my husband pie” and “I don’t want Earl’s baby pie.” Yes, she’s pregnant. Soon she finds herself engaged in a passionate affair with the “weird” (“he’s from Connecticut”), handsome new obstetrician in town, who’d be perfect if he weren’t so married. As Jenna’s face takes on a permanently affixed smile, the film almost earns its happy ending, a fate that eluded the promising Shelly.
Related
:
Review: Play the Game
,
Splendor on the screen
,
Kurt speaks
,
More
Review: Play the Game
This is the kind of movie you stagger out of in a stunned trance.
Splendor on the screen
The arc of Elia Kazan's professional life has its origins in the Group Theatre, where he was trained as an actor and performed in the original 1930s productions of Clifford Odets's Waiting for Lefty and Golden Boy .
Kurt speaks
The driving force behind Nirvana on fame, youth, and Leave It to Beaver
Mission implausible
Like the adrenaline shot that invigorates one of his characters, television wunderkind J.J. Abrams’s stab at the billion-dollar Tom Cruise spy franchise briefly gets your heart pounding, only to ultimately fail at bringing much-needed life to the latest reworking of Bruce Geller’s TV relic.
War zones
The party’s over. Time for the lessons to begin.
The Big Hurt: Checking the Billboard Hot 100
As usual, I won't be able to make it through the full 100, but seven is just as good, right?
August Rush
Kirsten Sheridan’s movie is about Music: how Music connects all of us, how Music is everywhere, how all Music is uplifting, dammit, no matter what.
Scott MacKay, superstar
You can take it from these longtime observers of the Providence Newspaper Guild’s annual Follies: Scott MacKay’s performance as co-emcee stole the show this year.
Marketing magic
When you dial the Disney Channel headquarters in Burbank and ask to be transferred, the operator will cheerily instruct you to have a “magical day.”
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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