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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Ten Canoes
A Cain-and-Abel style story
By
BRETT MICHEL
|
June 20, 2007
TEN CANOES
" alt="photo of 'TEN CANOES'">
3.0
Stars
LIKE YOU'VE NEVER SEEN BEFORE: Natural exposed genitals on the run.
“Once upon a time . . . in a land far, far away,” intones David Gulpilil (the Aborigine in Nicolas Roeg’s
Walkabout
) before bursting into laughter at the outset of his ongoing narration for Rolf de Heer’s experimental film, which was inspired by the photographs of the late cultural anthropologist Dr. Donald Thomson. “Nah, not like that,” Gulpilil resumes, before launching into a thousand-year-old Cain-and-Abel-style “story like you’ve never seen before” set among a swamp-dwelling tribe of Aborigines (including Gulpilil’s son, Jamie) — a story that’s beautifully shot in color and framed by a parallel tale presented in the equally enticing black-and-white-lensed past of a hundred years ago. With its frequent cross-cutting, ancient spoken language of Ganalbingu, and “too many names to remember,” De Heer’s bold balancing act fights collapse like the warrior who expires during a Death Dance, but its humor and warmth are as natural as his actors’ exposed genitals.
Related
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,
Stomu Yamash’ta | Floating Music; Freedom Is Fighting; The Man From The East; One By One; Raindog
,
Blu Christmas . . . without DVD
,
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Glastonbury
Julien Temple’s documentary traces the evolution of the world’s most iconoclastic music festival.
Stomu Yamash’ta | Floating Music; Freedom Is Fighting; The Man From The East; One By One; Raindog
For a sample of Yamash’ta’s impressive range, the tranquil Floating Music (1972) and the car-racing-inspired One by One (1974) are good entry points for this often neglected performer and composer.
Blu Christmas . . . without DVD
Ah, yes: the most wonderful time of the year, tinged with muddy snow and the creeping darkness of our most recent Depression.
First Night 2007
Boston's not-so-silent night will be hot enough to melt ice sculptures. And that's just the weather forecast.
Vocation or vacation?
This past Wednesday, the fifth Coolidge Award, honoring a “film artist whose work advances the spirit of original and challenging filmmaking,” was bestowed on Jeremy Thomas.
Light show
The biggest stars of this year’s Berlin Film Festival were neither actors nor directors.
Review: Australia
Baz Luhrmann's incontinent Australia
Wish-fulfillment for a burning world
From the shining big-screen debut of Iron Man to the large amounts of green produced by the Incredible Hulk, this was the year the public couldn't get enough of their favorite heroes.
Days of future past
Science-fiction films have been with us since Edison’s 1910 version of Frankenstein , but they bloomed in the ’Nam era, nourished by a volatile cocktail of cultural ingredients.
Less
Topics
:
Reviews
,
Nicolas Roeg
,
David Gulpilil
,
Rolf De Heer
|
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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