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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Evening
Platitudes and mediocrity
By
PETER KEOUGH
|
July 3, 2007
EVENING
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1.0
Stars
EVENING: Good actresses with bad taste.
Some of the best actresses working in movies today pack the cast of
Evening
, Lajos Koltai’s adaptation of the Susan Minot novel, and all I can say is, was this the best thing available? Or do they just have bad taste? Sometimes the drugs send terminally ill Ann (Vanessa Redgrave) into flights of fancy in which she chases after a butterfly or a night nurse dressed like a fairy godmother. Or, with metronomic regularity, Ann slips into a flashback (as Claire Danes?) to a fateful wedding in Newport 50 years ago. Her condition fuels the conflict between smugly settled Constance (Natasha Richardson) and independent loser Nina (Toni Collette). By the time Meryl Streep shows up to add some dignity, the platitudes have taken over, as in, “There are no mistakes.” Such as Nina’s unwanted pregnancy, after which she learns that happiness means embracing mediocrity, marrying the boy who knocked you up, and raising more fucked-up children like yourself.
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Randy
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Spring break
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The girls of summer
It’s summer, so no one’s surprised at the onslaught of sequels, adaptations, or even movies based on toys. But films with Oscar-caliber women’s roles?
Randy
Randy Hien was a sun around which thousands of people orbited.
Spring break
Spring rules
Towelhead
Towelhead is the type of tripe that poses as enlightenment in “important” Oscar winners like Crash and American Beauty .
Aunty M.
Every year, my mother’s younger sister drives up the Mass Pike from New York state to visit me for a night; away from family we get to bond as the youngest of both our families and as women.
Little Miss Sunshine
Like little kids spouting dirty words in certain comedies, this film from first-time directors Jonathan Dayton and Valerie Faris undermines the subversive with the self-conscious. Watch the trailer for Little Miss Sunshine (QuickTime)
Stardust
Who knew that Matthew Vaughn had an inner Narnia?
The Night Listener
Robin Williams mostly recovers from the mess that was R.V. by going serious with an understated performance in Patrick Stettner’s new thriller, which is based on a novel by Armistead Maupin. Watch the trailer for The Night Listener (QuickTime)
Requiem
Hans-Christian Schmid fictionalizes the real-life story of Anneliese Michel, a young German woman who died of exhaustion and starvation after a series of attempted exorcisms in the mid ’70s. Watch the trailer for Requiem (QuickTime)
October lite
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
Fact and fiction . . .
Of the 16 narrative films on deck this year at the Newport International Film Festival, several could be termed “coming-of-age.”
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ARTICLES BY PETER KEOUGH
REVIEW: FOLLOW ME: THE YONI NETANYAHU STORY
| May 29, 2012
Whatever your opinion of the policies of Benjamin Netanyahu, Prime Minister of Israel, you can't deny that his brother Yoni was a hero, a courageous man whose conflicts and triumphs mirror those of his homeland.
REVIEW: MOONRISE KINGDOM
| May 31, 2012
Wes Anderson should always make movies featuring characters who are pubescent or younger — like Rushmore , which until this film was his best.
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
See all articles by:
PETER KEOUGH
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