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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Punk's Not Dead
Or is it?
By
PETER KEOUGH
|
July 24, 2007
PUNK'S NOT DEAD
2.0
Stars
VIDEO: Watch the trailer for
Punk's Not Dead
.
But then, what is punk? Susan Dynner’s documentary zips through punk’s late-’70s heyday with clips of the Sex Pistols and the Clash and counterpoises interviews with some of the craggy, still faithful veterans of that time looking back today. In between lies about 30 years of music history, but the film doesn’t pick up steam till the onset of grunge with Nirvana and punk/pop with Green Day and then the current predicament, as punk provides the soundtrack for SUV commercials, mall boutiques sell dog collars to suburban wanna-bes, and groups claiming to be punk go platinum. Wasn’t punk about being independent from all that? Dynner poses the question but loses it in the blur of talking heads and split-second performance clips that all end up sounding the same.
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,
Hot Water Music
,
The contenders
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Decontrolling the price of punk
This article originally appeared in the October 13, 1981 issue of the Boston Phoenix.
Hot Water Music
If nothing else, it’s a reminder that two guitars playing the same power chords isn’t always a bad thing.
The contenders
The ’06 edition of the WBRU Rock Hunt is upon us.
Punk 2 techno
For more than 16 years, Somerville’s Jonathan Gladstone has been one of the familiar voices of punk-rock radio on MIT’s WMBR, but now he’s switching his pitch up.
Not fade away
Wormtown. It's a state of being, an alternative reality, a club-music subculture centered in Worcester, Massachusetts.
Real to reel
Even now, after Greil Marcus’s Lipstick Traces and Simon Reynolds’s Rip It Up and Start Again , the rock-star-as-vector-of-ideas is still something of a challenge for us.
Boxed and ready
The cream of the season’s CD/DVD crop
Rudder
This New York City instrumental quartet hold their ground somewhere in among Morphine, Kraftwerk, Joy Division, and Bitches Brew–era Miles.
Packin' 'em in on Lansdowne Street
Whoever told you that the post-punk revival is on the wane was wrong.
The wild bunch
One of the lies I tell myself is that some day I’ll care about the Rolling Stones as much as I care about the New York Dolls.
Stick It
Haley Graham (Missy Peregrym resembling a cute, female version of Ashton Kutcher) is a contemptuous punk-rock rebel whose extreme sports derring-do would catch the eye of Tony Hawk.
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ARTICLES BY PETER KEOUGH
REVIEW: FOLLOW ME: THE YONI NETANYAHU STORY
| May 29, 2012
Whatever your opinion of the policies of Benjamin Netanyahu, Prime Minister of Israel, you can't deny that his brother Yoni was a hero, a courageous man whose conflicts and triumphs mirror those of his homeland.
REVIEW: MOONRISE KINGDOM
| May 31, 2012
Wes Anderson should always make movies featuring characters who are pubescent or younger — like Rushmore , which until this film was his best.
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
See all articles by:
PETER KEOUGH
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