The Phoenix Network:
 
 
 
About  |  Advertise
 
Features  |  Reviews
FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies
WFNX_1000x50g

3:10 to Yuma

Claustrophobia
By BRETT MICHEL  |  September 5, 2007
2.5 2.5 Stars
inside_310-to-yuma
3:10 TO YUMA Russell Crowe is great in James Mangold’s bloated epic.

Claustrophobia. In director Delmer Daves’s 1957 Wild West battle of wills, it seeped like a cancer into his modestly expanded take on Elmore Leonard’s short two-hander set within the confined time and space of a hotel room. As a lawman awaits a train that will transport his prisoner (slyly played by Glenn Ford) out of Contention, Arizona, the murderer’s gang converges. It was small and tense, its ending saturated in shades of gray. James (Walk the Line) Mangold’s remake, however, is mostly black and white, a bloated miscalculation with epic pretensions. Dan Evans (Christian Bale) is no longer a marshal but a simple rancher desperate to save his faltering farm. He’s a failure in the eyes of his wife (Gretchen Mol) and son (Logan Lerman), but redemption awaits if he can deposit captured outlaw Ben Wade (Russell Crowe) on the 3:10 train to Yuma Prison. Bale and Crowe are superlative, but Mangold’s rote, banal expansion never quickens the pulse.
Related: Body of Lies, Review: State of Play, Are you kidding us?, More more >
  Topics: Reviews , Celebrity News, Entertainment, Movies,  More more >
| More

ARTICLES BY BRETT MICHEL
Share this entry with Delicious
  •   REVIEW: FOR GREATER GLORY  |  May 29, 2012
    Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
  •   REVIEW: GIRL IN PROGRESS  |  May 15, 2012
    As rites of passage go, Girl in Progress is a step backward for the genre.
  •   REVIEW: FIRST POSITION  |  May 10, 2012
    While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
  •   REVIEW: THE BEST EXOTIC MARIGOLD HOTEL  |  May 03, 2012
    Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
  •   REVIEW: BLUE LIKE JAZZ  |  April 12, 2012
    A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.

 See all articles by: BRETT MICHEL



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group