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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Death Sentence
They don't get much worse than this
By
BRETT MICHEL
|
September 5, 2007
DEATH SENTENCE
" alt="photo of 'DEATH SENTENCE'">
2.5
Stars
DEATH SENTENCE: Kevin Bacon as a vengeful "
Fortune 500
motherfucker."
We have the sordid story of vigilante justice as administered by Nick Hume (Kevin Bacon, impersonating Edvard Munch’s
The Scream
), a family man with “perfect kids,” or “some
Fortune 500
motherfucker,” as one of his future victims observes before facing his vengeful wrath. In a gang initiation, a young thug “ices” the most perfect of Hume’s two sons, who’s a hockey star. After this “animal” is arrested and then released, Hume visits his tool shed to select the perfect instrument with which to settle accounts — just one reminder that the film’s director is James Wan, the torture-porn veteran responsible for the Saw series. Wan can deliver shocks, but when he tries drama, it’s unintentional comedy. An all-out war between Hume and his gangland prey culminates in a ridiculously over-the-top shootout in an abandoned mental hospital. If you love awful movies, they don’t get much better (worse?) than this.
Related
:
Trial and error
,
Flashbacks: November 24, 2006
,
Rise and fall
,
More
Trial and error
Hollywood studios looking for movie ideas should check out Jessica Sanders’s After Innocence .
Flashbacks: November 24, 2006
These selections, culled from our back files, were compiled by Dan Peleschuk, Ian Sands, and Eva Wolchover.
Rise and fall
With its production of the Kurt Weill/Bertolt Brecht Aufstieg und Fall der Stadt Mahagonny, Opera Boston consolidates its position as this city’s most exciting opera company.
23 skidoo?
As of press time, the 23rd Boston Film Festival was still shaping up.
Genocide today
It was a spooky image. Two women, who look like grandmothers and are identified as Russian Communists, standing in front of the American embassy in Moscow waving pictures of Slobodan Milosevic.
Waist Deep
In this hip-hop urban Bonnie and Clyde wanna-be, charismatic rapper/actor Tyrese ( Baby Boy , 2 Fast 2 Furious ) plays O2, a recent parolee whose efforts to go straight are derailed when a Crenshaw drug lord inadvertently kidnaps his son during a carjacking. Watch the trailer for Waist Deep (QuickTime)
Screwing the youth
Wole Akinbi was 16 when someone phoned to say his best friend had been shot.
Review: A Prophet
Visionaries thrive behind bars: Dostoevsky, Martin Luther King, Malcolm X. "The truth is ugly," explains one would-be sage, Charles Manson. "So we put our prophets in prison."
The Dhamma Brothers
Since the US has more people in prison than any other country, shouldn’t we be working on an effective method of rehabilitation?
RI’s last execution resonates in our current moment
Rhode Island’s last execution was on Valentine’s Day in 1845, below Nordstrom’s shoe department in the Providence Place Mall.
Yes sir!
David Zeiger’s Sir! No Sir! is yet another absorbing documentary that George W. won’t see, or want you to see, because, as the prez often cautions, “It sends the wrong message to our troops.”
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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