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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
We Own the Night
Gritty, macho, and lacking in grace
By
BRETT MICHEL
|
October 10, 2007
WE OWN THE NIGHT
" alt="photo of 'WE OWN THE NIGHT'">
2.5
Stars
SEXING THINGS UP: Eva Mendes adds femininity to James Gray's man-centric movie.
As the coked-up manager of the popular ’80s-era Brighton Beach nightclub El Caribe, Bobby Green (Joaquin Phoenix) —
né
Grusinsky — has chosen to hide his Polish-American identity from his employers. Why? Perhaps because James Gray’s film is in dire need of plausibility, given that Bobby’s father, Burt (Robert Duvall), is the deputy chief of police and his brother, Joseph (Mark Wahlberg), leads the task force that’s trying to nail the very same Russian crime syndicate that uses El Caribe as a front for its drug operations. Gray tread this territory of fathers, sons, cops, and mobsters in 1994’s
Little Odessa
and 2000’s
The Yards
(also starring Phoenix and Wahlberg), and the over-familiarity compromises his
French Connection
–filtered vision. Eva Mendes (aided by her nipples) sexes things up as Bobby’s girlfriend, but this is a man’s movie: gritty, macho, and lacking in grace.
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Fateful Departed
No wonder the cops and the feds can’t catch Whitey Bulger: they’re too busy beating the shit out of each other. Watch the trailer for The Departed (QuickTime) Whitey wash: Scorsese, Damon, and DiCaprio honor The Departed. By Brett Michel
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When it comes to immortality and the afterlife, movies tend to get sticky.
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When film actor Keir Dullea turned up in a blink-and-you’ll-miss-it cameo as the father of Angelina Jolie’s character in Robert De Niro’s The Good Shepherd , I was not only surprised to see him again onscreen, but amazed that he wasn’t dead.
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In what's bruited to be his last screen appearance, Joaquin Phoenix goes Marlon Brando mumbly.
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Ghost Rider
If Nicolas Cage weren’t a goofball with a hunky physique and droll wit, this Marvel-comic-to-big-screen adaptation would have no torque at all.
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Disney scored with The Rookie , its dish on a 40-year-old pitcher getting his first big-league go, so why not the unlikely football career of a 30-year-old bartender from Philadelphia? Watch the trailer for Invincible (QuickTime)
Fractured fairy tales
Times are tough when the Dream Factory has a better grip on what’s going on than the people in Washington.
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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