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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
The Final Season
Unintentional sports comedy
By
BRETT MICHEL
|
October 17, 2007
THE FINAL SEASON
" alt="photo of 'THE FINAL SEASON'">
1.5
Stars
THE FINAL SEASON: Not a homerun.
Sean Astin’s latest starring role finds him aiming to hit the emotional high he achieved in 1993’s
Rudy
, but David M. Evans’s latest crack at America’s favorite pastime (he previously directed
The Sandlot
, another ’93 film) is less inspirational sports drama and more unintentional comedy. “Norway is baseball,” one character observes, but this bucolic Iowa town (population: 506) faces losing its championship team –– and thus its identity –– through a high-school consolidation. Kent, the coach played by Astin, likens himself to “Clark,” and his earnestness pervades the film, but not nearly as much as the corn. There’s enough here to empty a whole field of dreams.
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The Philly native isn’t the popster they hoped he would be.
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It does have stars: Diane Keaton (daffy!), Queen Latifah (sassy!), and Katie Holmes, who despite avoiding stereotype is cast as the most annoying of the three.
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The dish runs away with the show, not just the spoon, in Douglas Carter Beane’s Tony-nominated 2006 The Little Dog Laughed .
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This Barry Bonds thing is going to be a big story, no doubt, but trust me: even bigger news is probably coming.
Non-starter
George Clooney’s Hub stopover this past Saturday night was designed to draw attention to the 23-year-old Boston Film Festival.
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When I saw Marisha Pessl in the New York Times Style Section, meticulously posed on an antique chair wearing a pair of high heels and a coy smile, I cringed.
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ARTICLES BY BRETT MICHEL
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| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
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BRETT MICHEL
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