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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Black Irish heartbreak
Neighborhood themes, or cliches?
By
PETER KEOUGH
|
October 24, 2007
BLACK IRISH
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2.0
Stars
FAMILY TIES: More neighborhood themes and clichés.
Brad Gann’s feature debut, last year’s Boston Irish Film Festival opener, taps into some of the same neighborhood themes as
The Departed
: guilt, redemption, family ties. Or are they clichés? Cole (Michael Angarano) is the good brother, a cringing mass of embarrassment and repression with a blazing fastball and a supposed vocation for the priesthood. Elder brother Terry (Tom Guiry) wants to drag Cole into a life of drugs and crime. Sis Kathleen (Emily VanCamp) is pregnant and out of the picture, sent away by would-be lace-curtain Irish mom Margaret (Melissa Leo). As if dad Desmond (Brendan Gleeson) — alcoholic, ineffectual, tyrannical, unemployed — didn’t provide enough shame. You know there’s going to be a big game somewhere in this, as well as reconciliations in the intensive-care unit. A plus are the two or three scenes of genuine heartbreak.
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Black Irish
Brad Gann’s feature debut, this year’s Boston Irish Film Festival opener, taps into some of the same neighborhood themes as The Departed: guilt, redemption, family ties. Or are they clichés?
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Brian Jun’s film owes more to the family values of the Reagan era than its anarchic characters and hardscrabble style would indicate.
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ARTICLES BY PETER KEOUGH
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| May 29, 2012
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| May 31, 2012
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No matter how far he strays, Richard Linklater's heart remains in Texas.
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