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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Outsourced
Ah, globalism
By
BRETT MICHEL
|
December 12, 2007
OUTSOURCED
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3.0
Stars
CULTURE-CLASHING COMEDY: But not too cliché’d.
When Todd Anderson (Josh Hamilton) loses his job managing a Seattle catalogue-fulfillment call center, he soon finds himself on a plane to India . . . to train his own replacement. A stolen cellphone and a little diarrhea later, this fish-out-of-water arrives in Gharapuri, a charming village rife with street urchins and cows prone to wandering in and out of half-constructed concrete office spaces. How delightfully cliché’d. And yet, John Jeffcoat’s culture-clashing comedy (inspired by a semester spent abroad) avoids triteness by way of a winsome cast. Stage-trained Hamilton is a real find, conveying just enough genial befuddlement to win both the trust of his successor, Puru (Asif Basra), and the heart of outspoken employee Asha (Ayesha Dharker), as he imparts the secrets of peddling “kitsch to redneck schmucks” –– unfamiliar words to Indians cheerfully posing as Americans from “Chi-
cah
-go” to sell cheap crap produced in China. Ah, globalism.
Hindi + English | 103 minutes | Kendall Square
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ARTICLES BY BRETT MICHEL
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| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
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| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
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| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
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| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
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| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
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BRETT MICHEL
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