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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
What Would Jesus Buy?
Shopocalypse flop
By
BRETT MICHEL
|
December 12, 2007
WHAT WOULD JESUS BUY?
2.0
Stars
VIDEO: Watch the trailer for
What Would Jesus Buy?
“Are you people . . . or are you sheeple, led to the shopocalypse?” bellows Reverend Billy (Bill Talen), addressing a Mall of America crowd, backed by his talented Church of Stop Shopping Gospel Choir. He’s got people’s attention, but is his anti-consumerism message being heard? On a month-long cross-country bus tour during the 2005 Christmas holiday, this bleached-blond prophet spread his gospel from the Big Apple to Disneyland, railing against Americans’ “inability to distinguish between real life and simulated life.”
What Would Jesus Buy?
makes the same mistake. Not so much a documentary as a stunt, this record of Talen’s travels, directed without irony by Rob VanAlkemade, bears the imprimatur of producer Morgan Spurlock (
Super Size Me
). Who paid for the biofueled bus? The choir? As much as Talen believes his shill, he’s a performance artist posing as a preacher, on a mission conceived with and funded by his producers.
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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