The Phoenix Network:
 
 
 
About  |  Advertise
 
Features  |  Reviews
FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies
WFNX_1000x50g

El Orfanato | The Orphanage

An unoriginal technician's piece
By BRETT MICHEL  |  January 9, 2008
2.0 2.0 Stars


VIDEO: The trailer for El Orfanato|The Orphanage

Most of the zealous reviews greeting the debut feature of Guillermo del Toro protégé Juan Antonio Bayona cite the latter’s influences, from The Innocents to The Others, and there’s the rub: there are far too many to allow his supernatural horror/thriller to forge its own identity. True, Bayona is a skilled technician, but seek elsewhere if you’re hoping for the transporting originality of last year’s El laberinto del fauno|Pan’s Labyrinth. Those who can overlook the hackneyed scare tactics will appreciate the relatively bloodless classicism of this ghost story from Bayona and writer Sergio G. Sánchez. Belén Rueda impresses as altruistic mother Laura, who with husband Carlos (Fernando Cayo) purchases the orphanage she grew up in, hoping to convert it into a home for sick children. When her HIV-positive adopted son, Simón (Roger Príncep), disappears, her dreams descend into nightmare. Geraldine Chaplin’s spectral presence briefly chills, but the warm, fuzzy ending won’t. Spanish | 100 minutes | Boston Common + Kendall Square + Embassy + Suburbs

Related: Primary concerns, Fractured fairy tales, Doom, gloom and zoom, More more >
  Topics: Reviews , Guillermo del Toro, Juan Antonio Bayona
| More

ARTICLES BY BRETT MICHEL
Share this entry with Delicious
  •   REVIEW: FOR GREATER GLORY  |  May 29, 2012
    Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
  •   REVIEW: GIRL IN PROGRESS  |  May 15, 2012
    As rites of passage go, Girl in Progress is a step backward for the genre.
  •   REVIEW: FIRST POSITION  |  May 10, 2012
    While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
  •   REVIEW: THE BEST EXOTIC MARIGOLD HOTEL  |  May 03, 2012
    Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
  •   REVIEW: BLUE LIKE JAZZ  |  April 12, 2012
    A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.

 See all articles by: BRETT MICHEL



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group