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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
The Eye
Two directers and still unoriginal
By
BRETT MICHEL
|
February 6, 2008
THE EYE
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1.5
Stars
Jessica Alba
“I see . . . ,” says formerly blind concert violinist Sydney Wells (Jessica Alba, not believable as a musician even while visionless), the recipient of a recent cornea transplant, her voice trailing off. “Dead people?” concludes her eye specialist (Alessandro Nivola). Heard this one before? Seems Sydney has retained the “cellular memory” of her donor — particularly the ability to observe spectral escorts for the dead (or soon-to-be). It takes two directors, David Moreau and Xavier Palud, to be this unoriginal. But
The Eye
isn’t just a second-hand
Sixth Sense
; it’s also an ineffectual remake of the creepy but no less derivative Gin Gwai, a 2002 Hong Kong horror/thriller by Oxide and Danny Pang, who’ve also directed two sequels. In the wake of this “new” picture’s $13 million opening, Moreau and Palud may be eyeing a follow-up of their own. Sigh. As absurd as all this sounds, would anyone believe Parker Posey as Alba’s sister? Maybe with a parent transplant . . .
97 minutes | Boston Common + Fenway + Fresh Pond + Circle + suburbs
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
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| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
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BRETT MICHEL
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