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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Strange Wilderness
Lazy, lazy, lazy
By
BRETT MICHEL
|
February 6, 2008
STRANGE WILDERNESS
" alt="photo of 'STRANGE WILDERNESS'">
0.5
Stars
HARK! That's Bigfoot behind you.
“We can’t find Bigfoot without a map!” Likewise, you can’t find laughs without jokes. This year-old effort from Adam Sandler’s production company finally sees the light of an empty theater. “Effort” may be a poor choice of word, however, since none seems to have been put into this slapdash stoner comedy written by former
Saturday Night Live
scribes Peter Gaulke and Fred Wolf and derived from their decade-old parody shorts. Case in point: the movie, directed (if that’s what you can call it) by Wolf, follows the sad attempt by wildlife TV host Peter Gaulke (Steve Zahn) and his soundman, Fred Wolf (Allen Covert), to save their ratings-starved show. That’s right, the duo couldn’t even be bothered to create names for their leads. Gaulke and Wolf (the fictional ones) set off for “Ecuador” (the entire lazy film was shot in Los Angeles), and they find the mythical beast with no problem. Gaulke and Wolf (the actual ones) might have greater difficulty saving their careers.
87 minutes | Boston Common + Fenway + Fresh Pond + Circle + suburbs
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Primary concerns
The last thing people are looking for when they go to the movies is a reminder of the political crapola they are trying to escape.
The Obliterati
What if we could rid politics of all lies? What if candidates could be forced to admit their fabrications?
Old gold
If everybody else can be a Toys "R" Us kid until he or she qualifies for discount coffee, why the hell should rappers have to grow up?
Master P's Theater
"It's quite simple, really," Dr. Branom tells Alex DeLarge in A Clockwork Orange . "We're just going to show you some films."
Get it while you can
A couple of months ago, a man with the screen name x-amount logged on to Recidivism.org , the blog he maintains with a few of his friends, and made a pronouncement.
Easy does it
Writer/producer Eric Overmyer was quoted in a New York Times Magazine article last month, but it’s worth repeating: “ Treme is not the The Wire .” He went on: “Those who are expecting The Wire or wanting The Wire may be frustrated.”
Thai-ing one on
Pom’s Thai, a lovely new place tucked away in a little strip mall on Western Avenue in South Portland, is worth the trip on its own merits.
Springer vs. Nero!
Two opera productions overlapping at the Calderwood Pavilion exploit exploitation.
Play by play: July 24, 2009
Boston's weekly theater schedule
Play by play: July 31, 2009
Boston's weekly theater schedule
Shaw business
The Shaw Brothers dominated Hong Kong film production in the ’60s and ’70s, and they produced not only martial-arts epics but also musicals, ghost stories, and melodramas.
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,
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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