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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Shutter
Not scary and a measly PG-13
By
BRETT MICHEL
|
March 25, 2008
SHUTTER
" alt="photo of 'SHUTTER'">
1.5
Stars
Joshua Jackson
How frightening is this? A vengeful spirit begins turning up in pictures taken by a pair of newlyweds, ruining many a wedding and honeymoon photo. For the wife, I guess, this could be pretty traumatic, but for the husband? Well, if he’s a professional photographer like Ben Shaw (Joshua Jackson), whose livelihood is dependent on producing apparition-free shots, it’s enough to produce cold sweats. But is there more to what’s happening than Ben is letting on to Jane (Rachael Taylor)? Set in Tokyo and helmed by a Japanese director (Masayuki Ochiai), this American remake of a 2004 Thai horror movie is not your usual redo of a superior Asian chiller. Still, a PG-13 rating doesn’t portend many scary moments. Not to mention that if a sexy specter (
Ju-on: The Grudge
’s Megumi Okina) suddenly appeared in my apartment wagging a foot-long tongue, an X rating would be more appropriate.
85 minutes | Boston Common + Fenway + Fresh Pond + Chestnut Hill + suburbs
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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