Movie List
Loading ...
Find Theaters and Movie Times
Search Movies

Interview: Ludivine Sagnier

Nude? Naked?
By PETER HYMAN  |  August 26, 2008


As sultry French starlets go, 29-year-old Ludivine Sagnier is as advertised. Seductive, clever, sensual, and often at the center of a torrid love triangle, the Prix Romy Schneider winner first bared her soul to American audiences as the skinny-dipping ingénue in François Ozon’s Swimming Pool (2003). Her wide-eyed enthusiasm and fragile sexuality will be on display again next week in Claude Chabrol’s erotically chilling A Girl Cut in Two [La fille coupée en deux], in which she plays a provincial TV weather girl torn between an older author and a rich young dissolute. Now five months pregnant with her second child, Mlle. Sagnier sat down with me in New York to discuss nudity, submissiveness, older men, and American politics.

One of the film’s themes is the question of whether French culture is moving toward decadence or Puritanism. Which do you prefer?
Decadence. But . . . not the hypocritical decadence that we have now, which encourages people to get more and more stupid.

How close are you to the character of Gabrielle Deneige?
She’s more frustrating because she’s desperately looking for a father figure, and she is also very provincial, whereas I come from a very balanced family in Paris. I’ve been much less naive in my life. I don’t fall into those traps. I fall into other traps, but that’s a story for another time.

You’ve been nude in at least five of the films you done, most notably to American audiences in Swimming Pool. Does being naked come naturally to you?
No. That’s a legend, an image you have here in America. I’m not necessarily open to being nude. It’s just a question of performance. And all the times where I play naked, it’s always done with dignity. It’s not like these are lousy movies.

A Girl Cut in Two has little overt nudity, yet it was more sexually charged than anything you’ve done.
Yes, it’s all about sex. Even Chabrol joked that he was doing his porn movie. I was like, “Come on Claude, you don’t even show anything.” And he said, “I don’t need that, I’ve put obscenity in the eyes of the audience, they can put it wherever they like.”

Was that more difficult to do than simply taking off a robe and lounging in the sun with no clothes on?
It was very destabilizing because everything is possible. The only boundary is the imagination, and when you’re playing that, it’s very disturbing. I wasn’t comfortable at all. I felt dirty, much more than I did just being physically naked.

How were the sex scenes with François Berléand? He’s reputed to be quite a ladies’ man off camera.
It’s funny, because if somebody had told me I would have to kiss François Berléand at some point, I couldn’t have imagined it. But that’s the magic of cinema. If you’re in love in the movie, then suddenly you find the man beautiful and attractive. But my mom was very jealous.

The peacock scene [in which Sagnier crawls 9-1/2 Weeks–style adorned only in plumes] was a powerful foray into submission and self-sacrifice. What was that scene like to shoot?
It was terrible, one of the most difficult scenes I’ve ever done in my life. You see very little of my body, but it’s so strong psychologically that it really disturbed me. It’s a self-willing submission, so I couldn’t show any amount of suffering or reluctance. I had to give myself completely to the character in order to show the right emotion. It was kind of a generous act.

1  |  2  |   next >
Related: A Girl Cut in Two, Cherchez les femmes, Power suit, More more >
  Topics: Features , Celebrity News, Entertainment, Ludivine Sagnier,  More more >
| More

Most Popular
Share this entry with Delicious
    This holiday weekend marks the 25th anniversary of Fletch , the uneven but wildly enduring 1985 Chevy Chase comedy about a wisecracking reporter embroiled in a potboiler mystery.
  •   ROLE MODELS  |  November 07, 2008
    The movie, populated by improv/stand-up veterans in supporting roles, is more about its episodic parts than about the cinematic whole they yield.
  •   THE OTHER END OF THE LINE  |  November 04, 2008
    It's your basic boy-meets-girl story, except that the boy meets the girl on a series of phone calls from her Mumbai-based customer-service center.  
  •   INTERVIEW: LUDIVINE SAGNIER  |  August 26, 2008
    As sultry French starlets go, 29-year-old Ludivine Sagnier is as advertised.
  •   THE OTHER BOLEYN GIRL  |  February 27, 2008
    Though both lead actresses give admirable performances, they’re held captive (and kept clothed) by Peter Morgan’s flat script.

 See all articles by: PETER HYMAN