The Phoenix Network:
 
 
 
About  |  Advertise
 
Big Hurt  |  CD Reviews  |  Classical  |  Jazz  |  Live Reviews  |  Music Features
WFNX_1000x50g

Ronnie James Dio (1942 - 2010)

Live free or rock
By DANIEL BROCKMAN  |  May 21, 2010

1005_dio_main
As he lay in a Texas hospital bed in March, being treated for the disease to which he would eventually succumb, Ronald James Padavona, better known to the world as heavy-metal legend Ronnie James Dio, gave an interview to a local TV station. “Cancer? I’ll kick the hell out of you,” he declared, before throwing the devil horns. “I refuse to be beaten in any shape or form, so I’m going to beat you, too.”

Throughout his career, the Portsmouth, New Hampshire–born Dio exemplified the fighting spirit that constitutes the core ethos of heavy metal. He will be remembered for his powerful work as a solo artist, but also as the instigator of the second act of two of metal’s progenitors: first, in his pairing with a post–Deep Purple Ritchie Blackmore in Rainbow, and then as Ozzy Osbourne’s replacement in Black Sabbath.

In each, Dio turned the franchise around by replacing ’70s drug-addled nihilism with a new spirit of pugilistic righteousness that heralded metal’s ’80s ascendancy. With a booming voice and a towering stage presence that belied his 5’4” stature, Dio proved to generations of rockers that, if you possess the proper determination and spirit, you can command metal legions with but a wave of your hand.

His signature devil-horn hand gesture, purloined from his superstitious Italian grandmother, was used not to ward off evil, but to channel the power of metal into a universal force that transcends micro-genres and satanic accusations. As the Dio legend now enters its mythic phase, let us throw the horns in his memory — a testament to a man who sought out and found light in the darkness.

Related: Review: Lady Gaga at the Wang, Ghost stories, Winged migration, More more >
  Topics: Music Features , Entertainment, Entertainment, Music,  More more >
| More

ARTICLES BY DANIEL BROCKMAN
Share this entry with Delicious
  •   THE CULT SURVIVES ROCK'S HIGHS AND LOWS  |  May 31, 2012
    There is a difference between an unknown musical artist and a superstar, and that difference isn't necessarily musical — it's mythological.
  •   RAZORMAZE ADDS FOCUS TO THEIR THRASH  |  May 15, 2012
    For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
  •   ZAMBRI | HOUSE OF BAASA  |  May 15, 2012
    For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
  •   CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE  |  May 08, 2012
    When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
  •   [R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS  |  May 08, 2012
    ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.

 See all articles by: DANIEL BROCKMAN



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group