"We came in from the top. It wasn't like we had a strong foundation. And so when the hits went away, people moved on to something else," says Hay.

But his Serenity Prayer–like approach to controlling what he can has kept him going when the faint of heart might have quit. "What I try to do is do something that I can do. I can go out on the road, and I can play. Audiences come, and nobody can affect that. If audiences come, I'll be there, and I'll play, and we'll have a fantastic time." ^

COLIN HAY + CHRIS TRAPPER | Berklee Performance Center | Friday, May 4 @ 8 PM | All Ages | $28 to $37 | 617.266.7455

< prev  1  |  2  | 
  Topics: Music Features , Music, Berklee Performance Center, Arts,  More more >
| More


Most Popular
ARTICLES BY JONATHAN DONALDSON
Share this entry with Delicious
  •   THE UNIFIED MELODY OF SLOWDIM  |  March 20, 2013
    Slowdim drink wine with pizza. It's true. I was there.
  •   THE MARY ONETTES | HIT THE WAVES  |  March 13, 2013
    Hit the Waves is so heartfelt as a pastiche of '80s alternative music that it almost muscles its way into being brilliant.
  •   THE MODERN RETRO OF JESSE DEE  |  March 05, 2013
    On his new record On My Mind/In My Heart , the question is not if Jesse Dee can step up to the challenge of making authentic soul and R&B music in 2013, but rather how he goes about it.
  •   TAME IMPALA’S NEW SURROUND SOUND  |  March 08, 2013
    Whether it's Bradford Cox with Deerhunter, or Dan Snaith with Caribou, or Kevin Parker with Tame Impala, there must be something with this trend in sonic auteurs with cervine band names.
  •   ANIMAL COLLECTIVE BRACE FOR SUCCESS  |  February 26, 2013
    "It seems like a challenge to make something that you have to pay a lot of attention to," says Josh Dibbs.

 See all articles by: JONATHAN DONALDSON