The album's best single moment comes in the finishing track, though. "Lightning Storm" brings in a nostalgic vibe that moves the tune in an alt-country direction. There's a joyful bounce in the backing rhythm that's infectious and the world Allen conjures with "it all started in the/Moonlight/Sitting in the treetops/Summertime/Feels like all the world stops" is absolutely a place I'd like to hang out in for a while.

The way something like a Maine accent peeks through in the way she pronounces "storm" here is kind of endearing, too, as is the four-note descending melody that occupies the fade-out.

The whole thing is endearing, really. One can only hope it doesn't take two years to get another five songs out of her.

NEPTUNE | Released by Amy Allen | at the Empire, in Portland | May 25 |  amyallenmusic.com

< prev  1  |  2  | 
  Topics: Music Features , Music, Neptune, folk,  More more >
| More


Most Popular
ARTICLES BY SAM PFEIFLE
Share this entry with Delicious
  •   ROBERT STILLMAN RETURNS WITH THE ARCHAIC FUTURE PLAYERS  |  May 23, 2013
    For a guy who plays the saxophone the way people talk about, Robert Stillman is an awful good drummer. And keyboard player. He does a fair bit of impressive composition, too.  
  •   JOE FARREN’S COUNTRIFIED SECOND RELEASE  |  May 23, 2013
    It's been more than five years since Joe Farren's last record, a debut number on which he showed off his multi-instrumental chops and riffed on Americana themes.
  •   FILLING UP WITH PUTNAM SMITH  |  May 16, 2013
    Putnam Smith wishes he could trade places with Emily Dickinson.
  •   TRICKY BRITCHES ARE IN GOOD COMPANY  |  May 10, 2013
    Tricky Britches lean pretty heavily toward the old-timey end of the spectrum, with a deep and abiding respect for the body of American stringband work, manifesting itself in original songs that are instantly familiar.
  •   FOUR NEW WORKS FROM WHITCOMB  |  May 10, 2013
    Part of Whitcomb's appeal is that the material and the performance are of a piece, everything placed just so and meticulously machined.

 See all articles by: SAM PFEIFLE