"House of Cards," too, deserves some mention for incorporating some contemporary issues. It opens with a few bars of delicacy before launching into the heavy riffs you're expecting. Then Sereyko goes with a genuine balladic delivery that morphs into Cookie Monster to close out each verse. But it's the indictment in the lyrics that makes things really relevant: "Pharmaceuticals lace those southern lips/ It's that sweet nectar, not your child, that brings you bliss."

Ouch.

Personally, from a metal band from north and central Maine, this is the kind of thing I'd like to hear more of. Instead of vague darkness and hell imagery, more images of reality, a reality that surely approaches hell at some times, would have more true impact and match the force of Nobis's musical delivery.

With their fierce ingenuity, that's a task a lyricist has to live up to, though, and the album remains a strong contribution to Maine's metal oeuvre. Maybe it won't be seven years before the next album?

CONFESSION | Released by Nobis | with Five Finger Death Punch + Killswitch Engage + Trivium + Pop Evil + God Forbid + Emmure + Battle Cross | at Oxxfest, Scarborough Downs, Scarborough | Aug 10 |www.myspace.com/nobis

< prev  1  |  2  | 
  Topics: Music Features , Scarborough Downs, Oxxfest, Nobis,  More more >
| More


Most Popular
ARTICLES BY SAM PFEIFLE
Share this entry with Delicious
  •   ROBERT STILLMAN RETURNS WITH THE ARCHAIC FUTURE PLAYERS  |  May 23, 2013
    For a guy who plays the saxophone the way people talk about, Robert Stillman is an awful good drummer. And keyboard player. He does a fair bit of impressive composition, too.  
  •   JOE FARREN’S COUNTRIFIED SECOND RELEASE  |  May 23, 2013
    It's been more than five years since Joe Farren's last record, a debut number on which he showed off his multi-instrumental chops and riffed on Americana themes.
  •   FILLING UP WITH PUTNAM SMITH  |  May 16, 2013
    Putnam Smith wishes he could trade places with Emily Dickinson.
  •   TRICKY BRITCHES ARE IN GOOD COMPANY  |  May 10, 2013
    Tricky Britches lean pretty heavily toward the old-timey end of the spectrum, with a deep and abiding respect for the body of American stringband work, manifesting itself in original songs that are instantly familiar.
  •   FOUR NEW WORKS FROM WHITCOMB  |  May 10, 2013
    Part of Whitcomb's appeal is that the material and the performance are of a piece, everything placed just so and meticulously machined.

 See all articles by: SAM PFEIFLE