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Grant Lee Phillips
Nineteeneighties | Rounder
By
SUE BELL
|
August 8, 2006
GRANT LEE PHILLIPS, NINETEENEIGHTIES
" alt="photo of 'GRANT LEE PHILLIPS, NINETEENEIGHTIES'">
4.0
Stars
Bordered by twilight and tangled-branch silhouettes, former Grant Lee Buffalo singer-songwriter Grant-Lee Phillips captures the imagery, as well as the heart, of an era’s underground on this aptly titled collection of covers, creating a low-key, atmospheric setting for songs by the Pixies, R.E.M, Joy Division, and others. Ringing acoustic guitars bring an organic sensibility to New Order’s “Age of Consent”; slide guitar and South Pacific stylings offset the somewhat morbid lyrics of the Pixies’ “Wave of Mutilation.” A mid-tempo romp through “Boys Don’t Cry” is fit with charming toy piano. And as Phillips sings the Smiths’ “Last Night I Dreamt That Somebody Loved Me” over softly textured organs and plucked mandolin, the doe-eyed “No hope, no harm — just another false alarm” takes on a refreshing, humble conviction.
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On the racks: June 27, 2006
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Israeli upstarts
,
O, Canada!
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On the racks: June 27, 2006
. . . and all sorts of guest stars.
Israeli upstarts
The sound of angry Israeli youth mocking the extreme right is growing in volume, so much so that it’s now reaching the US.
O, Canada!
You’d be forgiven for assuming that nothing’s been going on in Canada for the last few years beyond the interconnected shenanigans of that country’s indie-rock elite.
Second job
Tyler Ramsey is currently touring the country pulling double duty as both a solo singer-songwriter and a recent-addition guitarist in Band of Horses.
The Color Fred
It shouldn’t come as any surprise that Bend To Break sounds a whole lot like Foo Fighters.
Midsummer muses
It’s been almost 20 years since Corgan first bared his barren soul to the world and not a whole lot has changed.
Low notes
Absurdly low guitar tunings are typically employed only by the heaviest of heavy-metal bands looking to punish eardrums with evil cannonballs of six-string sludge.
From her to eternity
As a consort of the elite, Nico ruled them all.
James Brown
Brown was arguably the only rock and roll era performer to equal Elvis Presley in vocal authority, charisma, stage presence, song interpretation, and sexual magnetism.
Juana Molina
Molina makes her home at the juicy intersection where acoustic instruments meet computerized texture.
Mieka Pauley
For her latest release, local singer-songwriter Mieka Pauley collects five of her best songs on an EP produced by pop maestro John Alagia. Mieka Pauley, "Stronger" (mp3)
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