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EMA | Past Life Martyred Saints
CD Reviews
Kenny Werner
Lawn Chair Society | Blue Note
By
JON GARELICK
|
May 8, 2007
KENNY WERNER, LAWN CHAIR SOCIETY
" alt="photo of 'KENNY WERNER, LAWN CHAIR SOCIETY'">
3.5
Stars
Werner is probably best known as harmonica legend Toots Thielemans’s right-hand man, but
Lawn Chair Society
demonstrates his range as a pianist/composer and why he’s revered by fellow musicians. He stretches here from abstract funk to lyrical elegy, and it doesn’t hurt that he’s got trumpeter Dave Douglas and saxophonist Chris Potter in the front line. Bird-like chirping horns mix with electronics, fractured funk, and chromatic keyboard reveries on the playful “Lo’s Garden.” “Lawn Chairs (and Other Foreign Policy)” begins with a stately unison horn line before shifting into an electrified hypnotic groove circa
Nefertiti
-era Miles. “Uncovered Heart” is a lullaby set to a
habanera
rhythm. Even at his most far-reaching, Werner never loses a grip on groove, melody, and form; Scott Colley’s bass — lurching forward, falling back, settling into the pocket — is essential in that regard. The closing “Loss” and “Kothbiro” (the latter from the film
The Constant Gardener
) have a mournful cast (Werner’s 16-year-old daughter died in a car accident last year), but not without a final, affirmative dance rhythm. For Werner, refreshing the jazz language is a way of renewing the world.
Kenny Werner | Kresge Auditorium, 48 Mass Ave, Cambridge | May 11 at 8 pm | 617.253.2826.
Related
:
Esperanza and Kenny
,
Budding groves
,
Trane, Joyce Dee Dee, Sco, and more
,
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Esperanza and Kenny
Spalding's chamber music; Werner's elegy
Budding groves
More and more, museums are getting into the live-music scene.
Trane, Joyce Dee Dee, Sco, and more
The official kickoff to the season begins with the week of activities celebrating the 30th anniversary of the John Coltrane Memorial Concert.
Spring leaves
The provocative tripleheader bill “What Is Jazz?” was originally put together by the ropeadope label for a showcase of its roster at Tonic in New York: the Christian McBride Band , the Charlie Hunter Trio , and DJ Logic and Bobby Previte .
Cinematic
Talking with Nathaniel Facey, the alto-saxophonist in the London band Empirical, you find it difficult at first to pin down where and how the quintet developed their unusual compositional style.
Sonny, Pat, and all the cats
The primo jazz event of the spring will be SONNY ROLLINS 's concert at Symphony Hall on April 18 (bso.org). The great master saxophonist and peerless improviser often hits town in April, and this time it's to kick off his 80th-birthday tour. Whew.
Alone together
How can a jazz band play no swing rhythms, no grooves, and, really, no songs, and hold 1200 people rapt for an hour and 25 minutes, with virtually no breaks in the music?
Solo shots
Since neither Henry Binns nor Sam Hardaker is a singer anyone cares much to hear, the duo’s ascent has also produced a small fleet of Zero 7–branded vocalists.
Three for the road
Maybe it’s Larry Klein’s world and the rest of us just live in it.
Self help
In jazz, it’s always the iron age.
Patricia Barber | The Cole Porter Mix
On this Porter “mix,” pianist/singer/songwriter Barber pulls back just a bit from the audacious ambition of 2006’s Mythologies (based on Ovid, no less).
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ARTICLES BY JON GARELICK
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| May 31, 2012
When guitarist Mary Halvorson began taking lessons with Joe Morris as an undergraduate at Wesleyan University, she was excited about the prospect of playing duos with one of her guitar heroes.
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| April 18, 2012
The first time I was knocked out by Esperanza Spalding, she wasn't even playing — she was talking.
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| April 19, 2012
The pianist and composer Fred Hersch first encountered the poetry of Walt Whitman as a student at New England Conservatory in 1976.
See all articles by:
JON GARELICK
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