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CD Reviews
Rufus Wainwright
Release the Stars | Geffen
By
MIKAEL WOOD
|
June 11, 2007
RUFUS WAINWRIGHT, RELEASE THE STARS
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3.0
Stars
Rufus Wainwright says that when he went to Berlin to record his fifth studio album, he was after a stripped-down, bare-bones sound. What he came back with might be his most expansive, lavishly appointed disc yet. On
Release the Stars
(with Pet Shop Boys’ Neil Tennant in a telling executive-producer role), Wainwright embroiders plaintive acoustic laments (“Do I Disappoint You”) with pealing horns and swirling string arrangements and juices up-tempo rockers (“Between My Legs”) with lush post-glam guitars and complex vocal harmonies. Since his wide-eyed 1998 debut, his writing has begun to curl at the edges with a weary big-city cynicism; “Going to a Town,” one of this album’s hushed piano-ballad highlights, finds him admitting (or perhaps bragging), “I’m so tired of you, America.” Yet his music always offers an emotional complexity to mirror its melodic sophistication. In “Nobody’s Off the Hook,” a chamber-folk tribute to pal (and sometime bandmate) Teddy Thompson, he contrasts jokes about homos and hairdressers with a simpler-times nostalgia so pure it hurts.
Rufus Wainwright| True Colors Tour | Bank of America Pavilion, 100 Northern Ave, Boston | June 16 | 617.931.2000
Related
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Rufus Wainwright | All Days Are Night: Songs For Lulu
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Rufus Wainwright | Out Of The Game
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Self singer
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Rufus Wainwright | All Days Are Night: Songs For Lulu
Songs for Lulu features Wainwright alone at his piano — where, on previous records, the Canadian songwriter has mostly been as part of sprawling pop ensembles.
Rufus Wainwright | Out Of The Game
Out of the Game is being billed as the most "pop" album of Rufus Wainwright's career, which is to say that it dismisses many of his trademark classical and/or stagey affinities.
Self singer
“One’s self I sing, a simple separate person. . . . Of physiology from top to toe,” goes one of the Walt Whitman poems set by Rufus Wainwright for Stephen Petronio’s Bloom.
Scenes from the city
I missed more things in two and a half days last week than I managed to take in, so whatever I might infer about dance in the New York vortex could have come out a different way if I’d reversed my priorities.
Panoramic pop
The Pavilion was P-town for a night.
Arresting developments
Lack of talent, charisma, and/or personality can prevent a good band from achieving greatness — but too much of a good thing can also be a problem.
On the Racks: May 15, 2007
Don’t feel bad if you find yourself thinking of Tio Bitar as the sophomore album by the Swedish neo-psychedelic band Dungen.
Rock and roles
A good number of the jokes in Walk Hard: The Dewey Cox Story are available for your amusement right now, well ahead of the film’s December 21 theatrical-release date.
Marianne Faithfull | Easy Come Easy Go
The CD cover is deceptively retro Sinatra: here's Marianne encased in a lady's tux in front of a vintage microphone with "Easy" twice on the title and the subtitle "12 Songs for Music Lovers."
Joan as Police Woman
Ex-Bostonian Joan Wasser spent more than a decade carrying other musicians’ trains.
Magic Numbers
The Magic Numbers are throwbacks to a time when pop was lighter than air.
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ARTICLES BY MIKAEL WOOD
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| July 07, 2010
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| July 01, 2010
Given the theory of de-evolution these Ohio brainiacs began expounding more than 30 years ago, it makes a sad kind of sense that Devo's first album since 1990's Smooth Noodle Maps offers such a charmless, base-level version of the band's synth-addled new wave.
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| June 16, 2010
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| June 01, 2010
Bettye LaVette’s previous two albums had titles that required a little digging to unpack.
See all articles by:
MIKAEL WOOD
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