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EMA | Past Life Martyred Saints
CD Reviews
Billy Bragg
Mr. Love and Justice | Anti-
By
JEFF TAMARKIN
|
May 6, 2008
BILLY BRAGG, MR. LOVE AND JUSTICE
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3.0
Stars
There is no irony in the title of Billy Bragg’s first album in six years. That’s who he’s always been, even if it’s taken him this long to understand that one half of that equation doesn’t exist without the other. Since arriving as a one-man, Clash-inspired firebrand, Bragg has gotten more props for his rallying cries than for his open-hearted examinations of romance. Yet his love songs have endured while many of the broadsides have become yellowed newspaper.
Mr. Love & Justice
’s more blatantly political songs are few and largely stripped of rhetoric; when Bragg addresses war (“Farm Boy,” “Sing Their Souls Back Home”), it’s not from a fist-thrusting, Bush-bashing platform but from one of empathy with those in harm’s way. And whereas “I Almost Killed You” might have taken an entirely different turn when Bragg was a self-appointed spokesman for socialism, here it’s a declaration of unchecked passion, the title’s words followed by “with my love.” Recorded with his working band the Blokes, the album isn’t without its misfires (the obvious “The Johnny Carcinogenic Show”), but it is Bragg’s most assured statement since hooking up with Wilco a decade ago to give life to lost Woody Guthrie lyrics.
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Interview: Billy Bragg
English singer-songwriter Billy Bragg once called himself “a one-man band who thinks he’s the Clash.”
Harmonic convergence
“I don’t know what to do with myself,” Ross Millard mutters, shrugging at his mates as he sets his guitar down at the rear of the small stage at the back of Seattle’s East Street Records and ambles toward his mic stand.
Harmonic convergences
Beyond their artful, crackling, dueling-guitar geometrics and layers of cunning rhythms, the Futureheads' most distinguishing and potent weapon is their four-part vocals.
Gram Parsons
These two discs go a long way toward supporting the notion that Parsons was a pivotal player in the rise of country rock.
Maritime
The third album by this affable Milwaukee quartet is their handsomest, most assured outing yet.
Excellent Italian interview
Steve Albini is a pretty nerdy guy.
Bands of Gypsy
The explosion of neo-Gypsy-hybrid music started, you might say, with a cleverly worded flyer spied years ago by Eugene Hütz.
Anat, Elvis, and Jenny
In the wake of a single solo album on her own label in 2005, Anat Cohen is suddenly everywhere.
David T. Chastain
If liner notes like “a cool little Dorian intro starts this baby off” grab your attention, then David T. Chastain is your man.
Son Volt
The usual rap against Son Volt is that the group adhere too tightly to roots-music orthodoxy — in other words, that they’re dead boring.
Elixir of youth
After 11 seesaw years in the pop music marketplace, Fountains of Wayne return on a fourth studio album as an unparalleled American pop-rock phenomenon.
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ARTICLES BY JEFF TAMARKIN
NEW YORK DOLLS | DANCING BACKWARDS IN HIGH HEELS
| March 17, 2011
The new New York Dolls have now been around longer - and released more albums (three) - than the old New York Dolls, and they're commemorating that new longevity by letting go of any compulsion they may have still harbored to honor their designation as "punk-rock progenitors."
BLACK JOE LEWIS & THE HONEYBEARS | SCANDALOUS
| March 09, 2011
The soul revival has been going on long enough now that maybe it's a not a bad idea to stop calling it a revival at all.
BRYAN FERRY | OLYMPIA
| October 19, 2010
From the Kate Moss cover pic to the A-list of guest stars to the reunion with original Roxy Music members Brian Eno, Phil Manzanera, and Andy Mackay, Olympia screams, "EVENT!"
OLD 97'S | THE GRAND THEATRE
| October 12, 2010
When Old 97's are on — which they are most of the time on their eighth studio album — they're very, very on.
DAR WILLIAMS | MANY GREAT COMPANIONS
| October 05, 2010
The companions of the title are Dar Williams's songs, which the singer-songwriter revisits here two different ways.
See all articles by:
JEFF TAMARKIN
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